A Critical Cinema 2: Interviews with Independent Filmmakers

. New York: Van Nostrand Reinhold Co., 1976. The Robert Breer section (pp. 131136) includes Guy L. Cote, "Interviews with Robert Breer" (reprinted from

Film Culture

); Breer, "A Statement" (reprinted from

Film Culture,

no. 29); and "Interview with Robert Breer" (reprinted from

American Film Institute Report

5, no. 2 Summer 1974).

Sitney, P. Adams. "The Achievement of American Avant-Garde Cinema 19601970." In "

The Pleasure Dome," American Experimental Film 19391979,

eds. Jonas Mekas and Sitney, pp. 2426. A catalogue for a show at Moderna Museet, Stockholm, Sweden, February 16April 4, 1980. Stockholm: Moderna Museet, 1980.

. "The Films of Robert Breer." In

New Forms in Film,

ed. Annette Michelson, pp. 4549. A catalogue for an exhibition of North American avant-garde film, Montreux, Switzerland, Aug. 324, 1974. Montreux, Switzerland: Imprimerie Corbaz, 1974.

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Visionary Film

. New York: Oxford University Press, 1974, pp. 313332, other references.

Su Friedrich

Beroes, Stephanie. "Interview with Su Friedrich."

Cinematograph,

no. 2 (1986): 6871.

Camper, Fred. "Daddy's Girl."

Chicago Reader

20, no. 18 (Feb. 8, 1991): 12, 1718.

Friedrich, Su. "Radical Form: Radical Content."

Millennium,

no. 22 (Winter/Spring 198990): 118123.

. "(Script) for a Film without Images."

Feminism/Film,

no. 1 (Spring 1984): 111.

Hanlon, Lindley. "Female Rage: The Films of Su Friedrich."

Millennium,

no. 12 (Fall/Winter 198283): 7886.

Jenkins, Bruce. "Gently Down the Stream."

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nos. 1618 (Fall/Winter 198687): 195199.

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MacDonald, Scott. "Su Friedrich: Reappropriations."

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Anthony McCall

Ehrenberg, Felipe. "On Conditions."

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McCall, Anthony.

anti-catalogue

. New York: The Catalogue Committee of Artists Meeting for Cultural Change, 1977.

. "Interview: Formalist Cinema and Politics."

Performing Arts Journal

1, no. 3 (Winter 1977): 5161. Includes statements on

Line Describing a Cone

and other "Cone" films, on

Long Film for Four Projectors

and

Long Film for Ambient Light,

and an interview with McCall by Gautam Dasgupta.

. "Film as a Connective Catalyst." Paper delivered at International Forum of Avant-Garde Film, Edinburgh Film Festival, 1976.

. "Two Statements." In

The Avant-Garde Film,

ed. P. Adams Sitney, pp. 250254. New York: New York University Press, 1978.

, and Andrew Tyndall.

Argument

. A catalogue published in several versions on the occasion of screenings of the film

Argument

. First edition: August 1978 (for Edinburgh International Film Festival and London Filmmakers' Co-operative); Second edition: October 1978 (for The Collective for Living Cinema and Millennium Film Workshop in New York and Media Study-Buffalo); Third edition: March 1979 (for Temple University Conference on Culture and Communication, International Film Theory Conference 5, University of Wisconsin-Milwaukee, and Chicago Filmmakers). The final edition includes essays by McCall and Tyndall, Jane Weinstock, David Himelfarb, and Claire Pajaczkowska.

MacDonald, Scott. "Text as Image." P. 13.

Ross McElwee

Edelstein, David. "A Date with History."

Voice,

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Hoberman, J. "I Sync Therefore I Am."

Voice,

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Jonas Mekas

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Film Culture

. Mekas is the founder and editor of

Film Culture

. He has written many editorials for the journal and has conducted many interviews. An index to

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is available at Anthology Film Archives, 3234 First St., New York, N.Y. 10003.

James, David.

Allegories of Cinema

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MacDonald, Scott. "Lost Lost Lost over

Lost Lost Lost." Cinema Journal

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Film Culture,

no. 19 (1959): 12.

. "Diaries. Installment One"; "Diaries. Installment Two."

No Rose

1, no. 3; 2, no. 1 (Spring 1977; Winter 1979): 3352; 3345.

. "The Diary Film." In

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ed. P. Adams Sitney, pp. 190198. New York: New York University Press, 1978.

. "From the Diaries." In

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I Had Nowhere to Go