The icon was the focus of the peasant’s faith. He followed the Bible stories from the icons in his church and believed that icons had magical powers. The corner in the peasant’s hut, where he positioned the family icon, was, like the stove, a holy place. It sheltered the souls of his deceased ancestors and protected the household from evil spirits. Whenever the peasant entered or left his house he was supposed to take off his hat, bow and cross himself in front of it. And yet, as Belinsky pointed out to Gogol, the peasant also found another use for this sacred object. ‘He says of the icon: “It’s good for praying — and you can cover the pots with it too.” ’40
The peasant shared in the Church’s cult of the saints in a similarly down-to-earth fashion, adding to it his own pagan gods and spirits connected with the agricultural world. There were Vlas (the patron saint of cattle), Frol and Lavr (the saints of horses), Elijah (the saint of thunder and rain), Muchenitsa Paraskeva (the saint of flax and yarn), as well as countless other spirits and deities — household, river, forest, mountain, lakeland and marine — called on by midwives, healers, witch doctors, bloodletters, bonesetters, sorcerers and witches through their charms and prayers. The peasants were proverbially superstitious. They believed that their lives were plagued by demons and evil spirits who cast their spells on the crops and the cattle, made women infertile, caused misfortune and illness, and brought back the souls of the dead to haunt them. The spells could only be exorcised by a priest or some other gifted person with the help of icons, candles, herbs and primitive alchemy. This was a strange religious world which, despite much good research in recent years, we can never hope to understand in full.41
The position of the parish priest, who lived on the constantly shifting border between the official religion of the Church and the paganism of the peasants, was precarious. By all accounts, the peasants did not hold their priests in high esteem.fn6 The Russian peasants looked upon their local priests, in the words of one contemporary, not so much as ‘spiritual guides or advisers but as a class of tradesmen with wholesale and retail dealings in sacraments’. Unable to support themselves on the meagre subsidies they received from the state, or from the farming of their own small chapel plots, the clergy relied heavily on collecting peasant fees for their services: two roubles for a wedding; a hen for a blessing of the crops; a few bottles of vodka for a funeral; and so on. The crippling poverty of the peasants and the proverbial greed of the priests often made this bargaining process long and heated. Peasant brides would be left standing in the church for hours, or the dead left unburied for several days, while the peasants and the priest haggled over the fee. Such shameless (though often necessary) bargaining by the clergy was bound to harm the prestige of the Church. The low educational level of many of the priests, their tendency to corruption and drunkenness, their well-known connections with the police and their general subservience to the local gentry, all added to the low esteem in which they were held. ‘Everywhere’, wrote a nineteenth-century parish priest, ‘from the most resplendent drawing rooms to smoky peasant huts, people disparage the clergy with the most vicious mockery, with words of the most profound scorn and infinite disgust.’42