‘I like. That was awesome. Come back here!’ With that I grabbed, but despite her dimensions, she had easily out-manoeuvred me to the side of the sofa and was now pouring me another cup of the milky beer. I took her cue and did the same for her.
‘One shot!’ We both said, and holding each cup with two hands, drained our drinks.
‘Now I must check on dinner and I will take my little shower. Okay?’
‘Sure. Please.’
Yes, I was in the hands of a big Korean sea-nymph who was kind, creative and sexier than I could ever imagine. After the entree, I wondered what was coming next.
The jazz played on in the background and it seemed that the fish in the aquarium were swimming in sequence to the beat, now turning this way, flashing another direction on cue. Despite the violation of etiquette, I poured myself another cup of rice beer and even picked at the side dishes, trying the pancake slices.
The fish continued their technicolour routines in the aquarium and now I looked around and saw a painting on the wall. It was a portrait of the old
Wang and June had brought me to see these famous women divers along the Jeju coastline earlier in the day. Her mother had been a diver, and June herself had imbibed from a young age that same trait of fierce independence of the
I got up to study more closely: Two women were sitting on the rocks.
The grandma in the blue one-piece was smoking a cigarette, the other had a white cloth around her loins and was stretching and scratching the back of her head with her magnificent breasts and orange-tipped nipples exposed to the afternoon sunlight. In the background, you could see the green-mesh trap with its orange float and a small trident used to loosen shellfish from underwater cracks and crevices.
They were coarse, Rubenesque, heavy jowled, with almost bulbous red clown noses. Perhaps this was the result of prolonged cold water diving and holding your breath at depth. I looked at the right bottom corner of the painting. There was a name or inscription written in Korean and a date: 1956.
I couldn’t help myself, so I found my phone and took a picture of the painting. It was so beautiful, and June Park could be found in every centimetre of it.
I felt as if I was swimming in the sea and moved and swayed in time with the jazz and the fish, until the next pleasant surprise of the evening: June had bathed and there she was dressed in traditional Korean red-and-white costume with her hair made up. I had seen photos of this courtly garb before, but had not realized that it really was a ‘fat’ dress. The red blouse at the top came up just under her breast-line and the skirt fanned out conically below into a wide circumference touching the floor.
‘Wow, June!’
She giggled and moved as if on invisible dolly-wheels in my direction.
‘Let me take your picture,’ I said, positioning and snapping her from various angles and in different poses-some serious, some girly, some comical, some down and dirty. She was so connected to her feelings that she was a natural model. I took some near the back-lit lampshade, another in the bedroom doorway, one looking out the high-rise window and others near the colourfully lit aquarium.
‘What can I say? This dress … It’s so … you, June!’
‘So now, Mr Singapore, this is my present-gift-wrapped in my traditional Korean
‘Pretty? You are gorgeous!’ and I meant it. She had really brought me to that point of appreciation for unpretentious pleasure and a belief in the importance of living lustfully in the moment. We joined lips and embraced for a long time with the oxygen filter gurgling in the background.
Primed and confident, I now felt it was my turn to give and not just receive. I was ready to fold back her inner sound of fabric and started by running my hands down her red-necked blouse over its breast-points, so elegantly and classically tailored with all the grace-lines of Korean history and ceremony intact. Then, I knelt to find her hidden ankles and kissed them.