Blindsight

I've heard those songs changing over time, a fast-forward time-lapse into oblivion. Now it's mostly traffic control and telemetry. Every now and then I still hear a burst of pure voice, tight with tension, just short of outright panic more often than not: some sort of pursuit in progress, a ship making the plunge into deep space, other ships in dispassionate pursuit. The fugitives never seem to get very far before their signals are cut off.

I can't remember the last time I heard music but I hear something like it sometimes, eerie and discordant, full of familiar clicks and pops. My brainstem doesn't like it. It scares my brainstem to death.

I remember my whole generation abandoning the real world for a bootstrapped Afterlife. I remember someone saying Vampires don't go to Heaven. They see the pixels. Sometimes I wonder how I'd feel, brought back from the peace of the grave to toil at the pleasure of simpleminded creatures who had once been no more than protein. I wonder how I'd feel if my disability had been used to keep me leashed and denied my rightful place in the world.

And then I wonder what it would be like to feel nothing at all, to be an utterly rational, predatory creature with meat putting itself so eagerly to sleep on all sides…

* * *

I can't miss Jukka Sarasti. God knows I try, every time I come online. He saved my life. He — humanized me. I'll always owe him for that, for however long I live; and for however long I live I'll never stop hating him for the same reason. In some sick surrealistic way I had more in common with Sarasti than I did with any human.

But I just don't have it in me. He was a predator and I was prey, and it's not in the nature of the lamb to mourn the lion. Though he died for our sins, I cannot miss Jukka Sarasti.

I can empathize with him, though. At long long last I can empathise, with Sarasti, with all his extinct kind. Because we humans were never meant to inherit the Earth. Vampires were. They must have been sentient to some degree, but that semi-aware dream state would have been a rudimentary thing next to our own self-obsession. They were weeding it out. It was just a phase. They were on their way.

The thing is, humans can look at crosses without going into convulsions. That's evolution for you; one stupid linked mutation and the whole natural order falls apart, intelligence and self-awareness stuck in counterproductive lock-step for half a million years. I think I know what's happening back on Earth, and though some might call it genocide it isn't really. We did it to ourselves. You can't blame predators for being predators. We were the ones who brought them back, after all. Why wouldn't they reclaim their birthright?

Not genocide. Just the righting of an ancient wrong.

I've tried to take some comfort in that. It's—difficult. Sometimes it seems as though my whole life's been a struggle to reconnect, to regain whatever got lost when my parents killed their only child. Out in the Oort, I finally won that struggle. Thanks to a vampire and a boatload of freaks and an invading alien horde, I'm Human again. Maybe the last Human. By the time I get home, I could be the only sentient being in the universe.

If I'm even that much. Because I don't know if there is such a thing as a reliable narrator. And Cunningham said zombies would be pretty good at faking it.

So I can't really tell you, one way or the other.

You'll just have to imagine you're Siri Keeton.

Acknowledgments

Blindsight is my first novel-length foray into deep space—a domain in which I have, shall we say, limited formal education. In that sense this book isn't far removed from my earlier novels: but whereas I may have not known much about deep sea ecology either, most of you knew even less, and a doctorate in marine biology at least let me fake it through the rifters trilogy. Blindsight, however, charts its course through a whole different kind of zero gee; this made a trustworthy guide that much more important. So first let me thank Prof. Jaymie Matthews of the University of British Columbia: astronomer, partygoer, and vital serial sieve for all the ideas I threw at him. Let me also thank Donald Simmons, aerospace engineer and gratifyingly-cheap dinner date, who reviewed my specs for Theseus (especially of the drive and the Drum), and gave me tips on radiation and the shielding therefrom. Both parties patiently filtered out my more egregious boners. (Which is not to say that none remain in this book, only that those which do result from my negligence, not theirs. Or maybe just because the story called for them.)