When he approaches the woman, she is already defending herself.
You said to let her go, that I didn’t have to do anything. You said she’d stay put. She took off. I tried to call you, but you were too far out, she rants. There is a smooth depression in the sand in the place where the dog was.
Which way did she go?
That way.
He thanks her and takes off running over the firm sand toward Siriú. He passes a kiosk with half a dozen thatched umbrellas protecting obese men and women, the unmanned lifeguard post, a platform built on top of a knoll with exercise bars. He keeps running until he sees the dog in front of the lookout in the camping ground, drinking the water trickling from a cement pipe. He kneels next to her and strokes her vigorously, pulling her ears back. The dog pants with her wet tongue hanging out and appears to be smiling, as all dogs do when they are hot. There you are, he says in a reprimanding tone of voice. Rather than a problem, Beta’s solo walk is a welcome sign of her old energy and initiative. She follows him back to the car, but she stops several times and needs to be called again. He calls her by her name in a dry, commanding voice, as his father used to.
• • •
T
He gives up on the real estate agents and drives around the streets near the beach, looking for rental signs and marking the addresses on a map of the city. Contrary to what the agents say, many landlords are willing to discuss year-round rentals. One of the houses he sees is on Rua dos Pescadores, in the heart of the original fishing village, separated from the beach only by the fishermen’s sheds. The varnished brick facade has two windows with cream shutters and practically juts out over the beaten-earth sidewalk and cobbled street, where barefoot children, dark from the sun and scantily clothed, are holding a penalty shootout with a torn, deflated ball. There is a faint smell of fish and sewage in the air. Over the murmuring of the waves, he can hear an old man guffawing, pool cues clacking, and women whispering on the side veranda of the house across the way.
The owner of the house, Ricardo, is a nervous Argentinean who seems to switch off at regular intervals as if he doesn’t want to stop thinking about some urgent problem. He looks to be in his early forties and has watery eyes and gray stubble on his chin. They walk down the driveway to the back of the house, where the entrance is. An outdoor grill made of scorched bricks piled up on the ground looks as if it was built many summers ago. The patio is all cement and gravel. The floor and walls of the veranda are covered with horrible whitish tiles that remind him of cold and death. The house is neat and tidy on the inside but too dark, even with the windows open. The noises of the calm afternoon reverberate in the rooms and suggest the infernal symphony of busier days.
Ricardo doesn’t interfere or explain anything, just accompanies him through the house. He seems impatient. As they leave, Ricardo asks in a lazy mix of Spanish and Portuguese why he is moving to Garopaba. He says he just wants to live near the beach, and the Argentinean replies that yes, of course, everyone wants to live near the beach, but why does
Then the problem is woman.
What?
People come to surf or to forget woman,
I just want to live near the beach.
How long have you lived here?
Almost ten years.
And why did you come here?
To forget woman.
Did you?
No. You rent the house?
No. I think it’s too dark.
Dark. True. Well, good luck.
• • •