Чертополох и терн. Возрождение Возрождения

191 Эразм Роттердамский. Похвала глупости. М.: Государственное издательство художественной литературы, 1960.

192 Эразм Роттердамский. Разговоры запросто. М.: Художественная литература, 1969.

193 Эразм Роттердамский. Стихотворения. Иоанн Секунд. Поцелуи. М.: Наука, 1983.

194 Эразм Роттердамский. Философские произведения. М.: Наука, 1987.

195 Эрланже Ф. Генрих III. СПб.: Евразия, 2002.

196 Эрши А. Живопись интернациональной готики. Корвина. Будапешт, 1984.

197 Эшенбах фон В. Титурель. М.: Aenigma, 2009.

198 Ainsworth M. W., Christiansen K. From Van Eyck to Bruegel. Early Netherlandish painting in the Metropolitan Museum of Art. The Metropolitan Museum of Art. NY. 1998.

199 Andrzejewska-Zajac A., Podgorzak M. Hans Memling: The Last Judgement. National Museum in Gdansk. Gdansk. 2015.

200 Aymonino A. Eighteenth-century British painting and its audience: the «Rule of Taste» and mercantile society. C. Brook and V. Curzi (Eds), Hogarth, Reynolds, Turner: British Painting and the Rise of Modernity, 2014. 3–9.

201 Balis A. Rubens hunting scenes. – (Corpus Rubenianum Ludwig Burchard; pt. 18, v. 2). Arcade Press, 1986.

202 Baxandall M. Painting and experience in fifteenth century. Oxford university press, 1985.

203 Becker E. The denial of death. The Free Press, NY, 1973.

204 Bellarmino, Roberto. Disputationes de Controversiis Christianaae Fidei adversus hujus temporis hereticos. Ingolstadt (3 v) 1581,1582, 1593.

205 Bensing M. Thomas Müntzer und der Thüringer Aufstand 1525, DVW, Berlin 1966.

206 Bernhard M. Martin Schongauer und sein kreis. Druckgrafik Handzeichnungen. Südwest Verlag. München. 1980.

207 Berra G. Il giovane Caravaggio in Lombardia. Ricerche documentarie sui Merisi, gli Aratori e i marchesi di Caravaggio, presentazione di M. Gregori, Firenze, 2005, pp. 493, ill. 33..

208 Bloch E. Thomas Munzer. Reclam, 1989.

209 Bloch, Mark. L’Etrange Defaite. Paris Edition Gallimard.1990.

210 Bonnet A.-M., Kopp-Schmidt G. Die Malerei der Deutschen Renaissance. Schirmer / Mosel. München, 2014.

211 Borchert T.-H. Le Siècle de Van Eyck. Le Monde méditerranéen et les Primitifs flamands 1430–1530. Ludion, 2002.

212 Borchert T.-H. Van Eyck to Durer. Early Netherlandish Painting & Central Europe 1430–1450. Lannoo. Tielt. 2010.

213 Bray X. Goya: The portraits. National Gallery Company, London. 2015.

214 Brinkman, Bodo Hexenlust und Sundenfall. Die seltsamen Phantasien des Hans Baldung Grien. Michael Imholf Verlag.2007.

215 Browning, Robert. The poetical works of Robert Browning. Oxford press. 1957.

216 Brown J. Francisco de Zurbaran. Harry N. Abrams inc. Publishers, NY. 1991.

217 Brugerolles E. Durer et son temps. De la Réforme à la guerre de Trente ans. Dessins allemands de l’École des beaux-arts. École Nationale Supérieure des Beaux-Arts. Paris, 2012.

218 Bücken V., Meuter de I. Bernard van Orley. Bozar books & Mardaga. Bruxelles. 2019.

219 Bussmann Georg. Manierismus im Spätwerk Hans Baldung Griens. Die Gemälde der zweiten Strassburger Zeit. Heidelberg, 1966.

220 Campbell L. Rogier van der Weyden y los reinos de la península Ibérica. Museo National del Prado. Madrid. 2015.

221 Campbell S. J. Cosmè Tura of Ferrara: Style, Politics, and the Renaissance City, 1450–1495. New Haven and London: Yale University Press, 1997.

222 Campbell S. J., Cole M. W. A new history of Italian renaissance art. Second edition. Thames & Hudson, London. 2017.

223 Cannon J. Religious poverty. Visual riches. Yale university press. New Haven & London. 2013.

224 Campos Boralevi, Lia L’esodo come paradigma politico Congresso Viaggio e politica, Firenze University Press, 2009.

225 Campos Boralevi, Lea. Biblical Language and the Republic of Hebrews in Holland in XVI and XVII Centuries.

226 Cuneaus, Petrus De Repubblica Hebraerorum, Centro Editoriale Toscano, 1999. Introduction by Lia Campos Boralevi.

227 Caravaggio & Bernini. Early Baroque in Rome. Exhibition catalogue. Kunsthistorisches museum, Wien. Rijksmuseum, Amsterdam. Hannibal Publishing, 2019.

228 Carpenter T. H. Art and Myth in Ancient Greece. London: Thames & Hudson, 2018.

229 Châtelet A. Early Dutch Painting: Painting in the northern Netherlands in the fifteenth century. Rizzoli. 1981.

230 Clark T. J. The absolute Bourgeois. Artists and Politics in France 1848–1851. Thanmes and Hudson. London 1973.

231 Cavalcaselle J. B., Crowe J. New history of Painting in Italy. John Murray, 1864.

232 Coelen van der P., Lammertse F. De ontdekking van het dagelijks leven van Bosch tot Bruegel. Museum Boijmans Van Beuningen, Rotterdam. 2015.

233 Cone M. C. French Modernisms: Perspectives on Art before, during and after Vichy. Cambridge University Press, 2001.

234 Cone, Michele C. French Art of the Present in Hitler’s Berlin. The Art Bulletin. Vol. 80, No. 3. Sep., 1998.

235 Crussard S. Gauguin. Premier itinéraire d’un sauvage. Wildenstein Institute. Paris. 2001.

236 Der Meister von Flémalle und Rogier van der Weyden. Staatliche Museen zu Berlin. Stadel Museum, Frankfurt am Main.