At the junction of Eliki the all the passengers exchanged the
At the flower gardens of the junction of Eliki I saw for the first time what is probably the most absurd luxury of these times, something that I had not seen in any of the major cities so far—not in Markfor, not in Blomsterfor, not in Anolia, not even in Norfor: enormous artificial baskets with a diameter of 15-20 meters decorated with flowers and plants hung from everywhere, magnificent artworks of some virtuoso florist-painter- and wonderful tableaus with themes from the “Advent of the 200” and the creation of the Valley of Roses.
The flowers and plants here are not geometrically or lace-shaped like in Markfor. Here what prevails are the myriad, totally natural looking shades of green, from the light, silvery olive green to the black-green of the fir trees, in forms and shapes exquisitely crafted and daily tended to by specially assigned “florist-supervisors”, so that the work of the “teacher” does not wilt or get damaged in the slightest. From afar they look like gobelin tapestries laid on the ground as if to welcome the travellers. Of course, no one touches them.
In the afternoon we were on the road again. It had become a lot more obvious now from the surrounding landscapes that we were approaching the Valley. Big temples and institutes spanning hundreds of meters and all sorts of
The sky here is completely free of those dense, dark flocks of enormous flying vehicles and the thousands of platforms and terraces of the
Every now and then, you could see up on the hill the manor houses of the
What mesmerises the people of today even more than the beauty of nature, even more than the magnificence of the environment, are the toponyms and the childhood memories they evoke.
Silvia and Hilda had come to the Valley on Christmas Eve many years ago and Stefan had visited the great spiritual centre a few times a while after them, but all of them already knew the history of every inch of this land from when they were still at school.
If you take a glance behind the poplars that line the creek, behind the light pink wall of the monastery of the
SILEA, THEIR ARTIFICIAL MOTHER RIVER
While the hazy sun was slowly setting, Stefan, who up to that point had been calm as always, suddenly grabbed my armed to show me a large river that had popped out from the West in the far in the background. “Look! Look!” he cried and simultaneously Silvia and Hilda started screaming in excitement “It’s Silea! Silea!”