Dombey and Son

Breasting the wind and light, the shower and sunshine, away, and still away, it rolls and roars, fierce and rapid, smooth and certain, and great works and massive bridges crossing up above, fall like a beam of shadow an inch broad, upon the eye, and then are lost. Away, and still away, onward and onward ever: glimpses of cottage-homes, of houses, mansions, rich estates, of husbandry and handicraft, of people, of old roads and paths that look deserted, small, and insignificant as they are left behind: and so they do, and what else is there but such glimpses, in the track of the indomitable monster, Death!

Away, with a shriek, and a roar, and a rattle, plunging down into the earth again, and working on in such a storm of energy and perseverance, that amidst the darkness and whirlwind the motion seems reversed, and to tend furiously backward, until a ray of light upon the Wet wall shows its surface flying past like a fierce stream, Away once more into the day, and through the day, with a shrill yell of exultation, roaring, rattling, tearing on, spurning everything with its dark breath, sometimes pausing for a minute where a crowd of faces are, that in a minute more are not; sometimes lapping water greedily, and before the spout at which it drinks' has ceased to drip upon the ground, shrieking, roaring, rattling through the purple distance!

Louder and louder yet, it shrieks and cries as it comes tearing on resistless to the goal: and now its way, still like the way of Death, is strewn with ashes thickly. Everything around is blackened. There are dark pools of water, muddy lanes, and miserable habitations far below. There are jagged walls and falling houses close at hand, and through the battered roofs and broken windows, wretched rooms are seen, where 'want and fever hide themselves in many wretched shapes, while smoke and crowded gables, and distorted chimneys, and deformity of brick and mortar penning up deformity of mind and body, choke the murky distance. As Mr Dombey looks out of his carriage window, it is never in his thoughts that the monster who has brought him there has let the light of day in on these things: not made or caused them. It was the journey's fitting end, and might have been the end of everything; it was so ruinous and dreary.'

So, pursuing the one course of thought, he had the one relentless monster still before him. All things looked black, and cold, and deadly upon him, and he on them. He found a likeness to his misfortune everywhere. There was a remorseless triumph going on about him, and it galled and stung him in his pride and jealousy, whatever form it took: though most of all when it divided with him the love and memory of his lost boy.

There was a face — he had looked upon it, on the previous night, and it on him with eyes that read his soul, though they were dim with tears, and hidden soon behind two quivering hands — that often had attended him in fancy, on this ride. He had seen it, with the expression of last night, timidly pleading to him. It was not reproachful, but there was something of doubt, almost of hopeful incredulity in it, which, as he once more saw that fade away into a desolate certainty of his dislike, was like reproach. It was a trouble to him to think of this face of Florence.

Because he felt any new compunction towards it? No. Because the feeling it awakened in him — of which he had had some old foreshadowing in older times — was full-formed now, and spoke out plainly, moving him too much, and threatening to grow too strong for his composure. Because the face was abroad, in the expression of defeat and persecution that seemed to encircle him like the air.

Because it barbed the arrow of that cruel and remorseless enemy on which his thoughts so ran, and put into its grasp a double-handed sword. Because he knew full well, in his own breast, as he stood there, tinging the scene of transition before him with the morbid colours of his own mind, and making it a ruin and a picture of decay, instead of hopeful change, and promise of better things, that life had quite as much to do with his complainings as death. One child was gone, and one child left. Why was the object of his hope removed instead of her?