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LOUIS MACINTOSH LOOKED LIKE about ten people that Frank knew — that was, he was not tall, not fat, not thin, not handsome, not ugly, not dark, not light. He was not surprised to see Frank and Arthur when they showed up at dusk at Stewart Air Force Base, so Frank wondered what MacIntosh’s handler had told him. They boarded the plane, a De Havilland Comet, a sleek-looking airplane (Frank considered himself somewhat of an amateur expert — he worked for Grumman, and he had been taking flying lessons for a year). A simple blue stripe was painted along the fuselage, but no other identification mark. There were ten seats to each side of the aisle, and an unmarked canvas bag sat on each seat, belted in. Frank’s and Louis’s seats were behind the bags; the toilet was behind their seats. Frank did not have a suitcase, nor did Louis. After Arthur left, someone closed up the plane and someone flew it, but Frank didn’t meet or even glimpse the crew. When they took off, Frank saw only the edge of a dreary sunset over the dark lumps of the Catskill Mountains to the west.

Unusually for him, Frank got no feel for MacIntosh, but maybe that was because Frank was better at picking up details at a distance. They both sat quietly, the narrow aisle between them. The canvas sacks of money were uniform — clasps turned and locked, tops folded over, the outline of the square corners within just barely visible. Whoever had packed up what Arthur had said was ten million dollars, Frank thought, was an orderly person. Louis dozed off.

They flew east. The Comet was a quiet plane. Frank was interested to note how they’d installed the engines — not under the wings, which was what he was used to, but within them. And the wings themselves reminded him of some sort of swooping bird — a barn swallow, maybe.

When Louis woke up, he shook his head and looked around, then shifted in his seat with a groan. After a moment, he stood and went into the toilet. As soon as Frank heard the door lock, he was on his feet. He felt all the pockets of Louis’s jacket, which was draped over the back of his seat, and all the pockets of his coat, which was folded into the open compartment above their heads. No wallet — that would be in Louis’s pants. No briefcase. He looked in the pocket of the seat in front of Louis, and he felt under Louis’s seat. Nothing. He sat down again as the lock turned in the door of the toilet, and stared out the window. Below them, the vast Atlantic, black under the moonless cascades of stars.

Frank had intended to beg off this time. Arthur’s earlier “assignments” for Frank had been convenient and interesting, and getting to know Jim Upjohn might have been the best thing that had ever happened to him — Jim Upjohn was not only a good friend and a great connection, he was also endlessly eccentric, and fascinating as only a wealthy man at the center of what Aunt Eloise always called “the ruling class” could be. This job — making a very long-distance delivery — had no evident purpose (at least, evident to Frank) and seriously interfered with his day-to-day routine. As usual, the only payoff was giving Arthur what he wanted, and getting Arthur’s gratitude in return, and once Arthur got your attention, he could be very compelling.

But Frank’s resistance had been momentary. All he had to do was think of spending yet another evening at home with Andy, Janny, and the twins (not yet six months old, but six months felt like an eternity, and twins seemed like quintuplets if you never thought, waking or sleeping, about anything besides feeding, diapers, bathing, burping, crying). Andy was always either tending to one of them or out on the back deck, smoking a cigarette. She had risen to the occasion, no two ways about it — the nurses they’d hired for two months had taught her to order her every moment and the twins’ every moment; the boys were thriving, but at the expense of all that was idle or easy. After much hemming and hawing, he and Andy had bought a house in the winter. It was an airy, modern split-level with plenty of windows, contemporary furniture, and wall-to-wall carpet. It felt as bleak in the summer and the spring as it had in January, when they moved in. Doing this job for Arthur felt like playing hooky — returning to his younger, sharper, brighter, and more restless self. If only Andy — the Andy of two years ago — could have come along.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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