Читаем East is East полностью

“That’s just what I was saying, Irving”—she gave him a smile, cute, cute—“I mean I’ve heard a lot of readings at school, and in New York, and this one just blew me away, I mean knock me down with a stick, it’s like she’s possessed or something, I mean talk about acting, talk about dramatic interpretation …” Brie was so worked up she couldn’t go on. She just stood there, bare-shouldered, wide-eyed, goggling and gasping like a goldfish.

“And how do you feel about it, Ruthie?” Irving’s eyes were hooded. Somehow he’d managed to work an arm round Brie’s waist. He was really enjoying this.

But Ruth wasn’t about to give him a show. And she certainly didn’t want to talk about Jane Shine, let alone get drawn into a debate over her trumped-up stories and half-witted histrionics. She was going to be cool. Olympian. Above it. “Give me a break, Irving,” she said, leveling her eyes on him. “That wasn’t a reading, it was a premenstrual breakdown.” And then she turned on her heels and left them to their flesh-squeezing and body hair.

She went to Sandy for solace, but Sandy was as bad as Brie. He sat on the far side of the room with Bob, tapping his fingers to the music and basking in the afterglow of Jane’s reading. Ruth tried to turn him, tried to steer him away from idolatry and sow the seeds of disaffection, but it was no use. He pulled blissfully at the neck of a beer, glancing over at the little group around Jane—Seezers and Teitelbaum, Septima, Laura Grobian, Clara and Patsy and half a dozen others—as if they were disciples gathered round the Messiah himself. Or herself.

She found Regina in the corner, scowling into a glass of rum, and she knew that at least she would have no qualms about calling shit shit and seeing Jane for the imposter she was. Regina had darkened her eye sockets with kohl and dyed her hair an interstellar black; she looked like a woman in purdah who’s had the veil snatched away from her face. “So,” Ruth said, sidling up to her, “do we bury her next to Wordsworth or what? Or maybe P.T. Barnum would be more like it.” She gave a mirthless little laugh.

“Jane?” Regina snubbed out a cigarette in the potted palm behind her. She straightened up with a shrug, searched Ruth’s eyes for a second and then looked away. “I don’t know—she can be a real pain in the ass, a real prima donna, if you know what I mean, but I thought the thing tonight was at least dramatic.”

“Dramatic?” Ruth echoed. She was incredulous.

“Half of this shit puts me to sleep after about six words—at least she, like, held my interest.”

Ruth couldn’t help herself—her voice got away from her. “Yeah, but with what? Fakery. Crap. The kind of trumped-up horseshit that hides the fact that there’s nothing there.”

Regina attempted a smile, but it faded as quickly as it bloomed. She fumbled in her leather jacket for another cigarette.

“Damn it,” Ruth cried, yelped—she was going too far, she knew it, but she couldn’t stop now—“can’t you see that Jane”—she tried to lower her voice, tried to contain the damage—“Jane Shine is nothing but hot air and horseshit?”

Ruth became aware in that instant that Regina wasn’t looking at her—she was looking just over her shoulder and she was trying to do something with her mouth and blackened eyes. Ruth turned as if she were caught in taffy, tar, as if she were up to her neck in the La Brea pits.

Septima stood there before her, her expression climbing up and down the ladder of emotion. Not ten feet away was Jane Shine, on the move, regal, her feet, hips and shoulders touched ever so gracefully by Motown funk, her face locked up like a vise beneath the towering shako of her hair. Between them, the ring of toadies and yea-sayers had opened up like a receiving line. All eyes were on Ruth.

Jane kept coming. When she reached Septima’s side, she pulled herself up. “Yes,” she said, and you could skewer meat on the edge in her voice, “I’m sure we’re all holding our breath till you get up there, La Der

showitz”—she spat out the sobriquet as if it burned her tongue and then paused to let it gather force. “That is, if you’ve got anything to read—you do, don’t you? You must have been working on something all this time.”

Ruth didn’t know what to do. Marvin Gaye was dancing all over her head and every face in the room was turned toward her. Her instinct was to lash out, slam the clenched white ball of her fist into those outer-space eyes, rip the lace collar from her throat, demolish the hair, call her out for the conniving leg-spreading literary whore that she was, but she hesitated and lost hold of the moment. Her face was working. Her brain was in overdrive. They were all—every one of them—waiting.

Перейти на страницу:

Похожие книги

Вихри враждебные
Вихри враждебные

Мировая история пошла другим путем. Российская эскадра, вышедшая в конце 2012 года к берегам Сирии, оказалась в 1904 году неподалеку от Чемульпо, где в смертельную схватку с японской эскадрой вступили крейсер «Варяг» и канонерская лодка «Кореец». Моряки из XXI века вступили в схватку с противником на стороне своих предков. Это вмешательство и последующие за ним события послужили толчком не только к изменению хода Русско-японской войны, но и к изменению хода всей мировой истории. Япония была побеждена, а Британия унижена. Россия не присоединилась к англо-французскому союзу, а создала совместно с Германией Континентальный альянс. Не было ни позорного Портсмутского мира, ни Кровавого воскресенья. Эмигрант Владимир Ульянов и беглый ссыльнопоселенец Джугашвили вместе с новым царем Михаилом II строят новую Россию, еще не представляя – какая она будет. Но, как им кажется, в этом варианте истории не будет ни Первой мировой войны, ни Февральской, ни Октябрьской революций.

Александр Борисович Михайловский , Александр Петрович Харников , Далия Мейеровна Трускиновская , Ирина Николаевна Полянская

Фантастика / Современная русская и зарубежная проза / Попаданцы / Фэнтези
Текст
Текст

«Текст» – первый реалистический роман Дмитрия Глуховского, автора «Метро», «Будущего» и «Сумерек». Эта книга на стыке триллера, романа-нуар и драмы, история о столкновении поколений, о невозможной любви и бесполезном возмездии. Действие разворачивается в сегодняшней Москве и ее пригородах.Телефон стал для души резервным хранилищем. В нем самые яркие наши воспоминания: мы храним свой смех в фотографиях и минуты счастья – в видео. В почте – наставления от матери и деловая подноготная. В истории браузеров – всё, что нам интересно на самом деле. В чатах – признания в любви и прощания, снимки соблазнов и свидетельства грехов, слезы и обиды. Такое время.Картинки, видео, текст. Телефон – это и есть я. Тот, кто получит мой телефон, для остальных станет мной. Когда заметят, будет уже слишком поздно. Для всех.

Дмитрий Алексеевич Глуховский , Дмитрий Глуховский , Святослав Владимирович Логинов

Социально-психологическая фантастика / Триллеры / Детективы / Современная русская и зарубежная проза