Abercorn digested this information a moment, wondering how it applied to the case at hand, the case that had put him in this car, in this storm, with this root-chewing ex-LURP beside him. The whole thing was a real shame. Ninety-nine percent of the illegals just came in and disappeared—they got a tourist visa and vanished, rode in underneath a bus, breezed in for a semester of college and wound up collecting Social Security. It was a joke. The borders were sieves, colanders, picket fences without the pickets. But when somebody came in and made a lot of noise and started raising hell with the people who bought new cars and registered to vote, red lights started flashing all the way on up the line to Washington, and that’s where the Detlef Abercorns came in. “So, uh, what do you think we ought to do?” he said. “The Nips—the Japanese, I mean—tend to be pretty fanatical too, don’t they?
“Yeah, I’ve been to the movies too. But the fact is, like I told you, they’re just plain square. You know how you catch this clown?”
Abercorn didn’t have a clue. But he figured if the barefoot crackers and their hound dogs couldn’t bring him in, they were in for a real ordeal. He thought of the soldier they’d found in a cave in the Philippines, still fighting World War II thirty years later. “No,” he said softly.
Turco gestured at the pack on the seat beside him. “You know what I got in there? A boom box. Sanyo. Biggest shitkicker you ever saw, puts out enough amps to kill every woodpecker out there stone dead in two minutes flat. I’ve got a couple disco tapes, Michael Jackson, Donna Summer, that kind of shit, you follow me? I’m going to track the fucker, no different than if this was 1966 in the la Drang Valley, cross a trail, any trail. Then I’m going to set this thing on a stump and crank it up.”
Was he kidding? Abercorn couldn’t tell.
Turco turned to him with a grin that showed off all his teeth, black now with the stuff he was eating. “Hey,” he said, reaching back to pat a conspicuous bulge in the pack, “I’m Br’er Fox and this here is my tarbaby.”
Queen Bee
Owen’s wake-up call—three sharp but reverential knocks accompanied by a gently insinuating whisper—startled her from a dreamless sleep.
At 6:30 each weekday morning Owen Birkshead made the rounds of the still and shadowy halls of Thanatopsis House, performing the delicate task of rousing the slumbering artists without compromising their dreams. Depending on his whim, he would summon them in one of the Romance languages, sweet on the early-morning tongue, or in crisp and businesslike German or even Russian. One morning it would be
“Yes,” Ruth gasped, “I’m up,” too fuddled to throw back her usual