Читаем For Whom The Bell Tolls полностью

"Could they see them?"

"Probably not," Robert Jordan said. "Unless the sun were on the trees."

"It is on them very early," Pablo said miserably.

"I think they have other things to think of besides thy horses," Robert Jordan said.

It was eight minutes since he had pushed the lever on the stop watch and there was still no sound of bombing.

"What do you do with the watch?" the woman asked.

"I listen where they have gone."

"Oh," she said. At ten minutes he stopped looking at the watch knowing it would be too far away to hear, now, even allowing a minute for the sound to travel, and said to Anselmo, "I would speak to thee."

Anselmo came out of the cave mouth and they walked a little way from the entrance and stood beside a pine tree.

"Que tal?" Robert Jordan asked him. "How goes it?"

"All right."

"Hast thou eaten?"

"No. No one has eaten."

"Eat then and take something to eat at mid-day. I want you to go to watch the road. Make a note of everything that passes both up and down the road."

"I do not write."

"There is no need to," Robert Jordan took out two leaves from his notebook and with his knife cut an inch from the end of his pencil. "Take this and make a mark for tanks thus," he drew a slanted tank, "and then a mark for each one and when there are four, cross the four strokes for the fifth."

"In this way we count also."

"Good. Make another mark, two wheels and a box, for trucks. If they are empty make a circle. If they are full of troops make a straight mark. Mark for guns. Big ones, thus. Small ones, thus. Mark for cars. Mark for ambulances. Thus, two wheels and a box with a cross on it. Mark for troops on foot by companies, like this, see? A little square and then mark beside it. Mark for cavalry, like this, you see? Like a horse. A box with four legs. That is a troop of twenty horse. You understand? Each troop a mark."

"Yes. It is ingenious."

"Now," he drew two large wheels with circles around them and a short line for a gun barrel. "These are anti-tanks. They have rubber tires. Mark for them. These are anti-aircraft," two wheels with the gun barrel slanted up. "Mark for them also. Do you understand? Have you seen such guns?"

"Yes," Anselmo said. "Of course. It is clear."

"Take the gypsy with you that he will know from what point you will be watching so you may be relieved. Pick a place that is safe, not too close and from where you can see well and comfortably. Stay until you are relieved."

"I understand."

"Good. And that when you come back, I should know everything that moved upon the road. One paper is for movement up. One is for movement down the road."

They walked over toward the cave.

"Send Rafael to me," Robert Jordan said and waited by the tree. He watched Anselmo go into the cave, the blanket falling behind him. The gypsy sauntered out, wiping his mouth with his hand.

"Que tal?" the gypsy said. "Did you divert yourself last night?"

"I slept."

"Less bad," the gypsy said and grinned. "Have you a cigarette?"

"Listen," Robert Jordan said and felt in his pocket for the cigarettes. "I wish you to go with Anselmo to a place from which he will observe the road. There you will leave him, noting the place in order that you may guide me to it or guide whoever will relieve him later. You will then go to where you can observe the saw mill and note if there are any changes in the post there."

"What changes?"

"How many men are there now?"

"Eight. The last I knew."

"See how many are there now. See at what intervals the guard is relieved at that bridge."

"Intervals?"

"How many hours the guard stays on and at what time a change is made."

"I have no watch."

"Take mine." He unstrapped it.

"What a watch," Rafael said admiringly. "Look at what complications. Such a watch should be able to read and write. Look at what complications of numbers. It's a watch to end watches."

"Don't fool with it," Robert Jordan said. "Can you tell time?"

"Why not? Twelve o'clock mid-day. Hunger. Twelve o'clock midnight. Sleep. Six o'clock in the morning, hunger. Six o'clock at night, drunk. With luck. Ten o'clock at night--"

"Shut up," Robert Jordan said. "You don't need to be a clown. I want you to check on the guard at the big bridge and the post on the road below in the same manner as the post and the guard at the saw mill and the small bridge."

"It is much work," the gypsy smiled. "You are sure there is no one you would rather send than me?"

"No, Rafael. It is very important. That you should do it very carefully and keeping out of sight with care."

"I believe I will keep out of sight," the gypsy said. "Why do you tell me to keep out of sight? You think I want to be shot?"

"Take things a little seriously," Robert Jordan said. "This is serious."


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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука