Читаем For Whom The Bell Tolls полностью

So if your life trades its seventy years for seventy hours I have that value now and I am lucky enough to know it. And if there is not any such thing as a long time, nor the rest of your lives, nor from now on, but there is only now, why then now is the thing to praise and I am very happy with it. Now, ahora, maintenant, heute. Now, it has a funny sound to be a whole world and your life. Esta noche, tonight,

ce soir, heute abend. Life and wife, Vie and Mari. No it didn't work out. The French turned it into husband. There was now and frau; but that did not prove anything either. Take dead, mort
, muerto, and todt. Todt was the deadest of them all. War, guerre, guerra, and
krieg. Krieg was the most like war, or was it? Or was it only that he knew German the least well? Sweetheart, cherie, prenda, and schatz. He would trade them all for Maria. There was a name.

Well, they would all be doing it together and it would not be long now. It certainly looked worse all the time. It was just something that you could not bring off in the morning. In an impossible situation you hang on until night to get away. You try to last out until night to get back in. You are all right, maybe, if you can stick it out until dark and then get in. So what if you start this sticking it out at daylight? How about that? And that poor bloody Sordo abandoning his pidgin Spanish to explain it to him so carefully. As though he had not thought about that whenever he had done any particularly bad thinking ever since Golz had first mentioned it. As though he hadn't been living with that like a lump of undigested dough in the pit of his stomach ever since the night before the night before last.

What a business. You go along your whole life and they seem as though they mean something and they always end up not meaning anything. There was never any of what this is. You think that is one thing that you will never have. And then, on a lousy show like this, co-ordinating two chicken-crut guerilla bands to help you blow a bridge under impossible conditions, to abort a counteroffensive that will probably already be started, you run into a girl like this Maria. Sure. That is what you would do. You ran into her rather late, that was all.

So a woman like that Pilar practically pushed this girl into your sleeping bag and what happens? Yes, what happens? What happens? You tell me what happens, please. Yes. That is just what happens. That is exactly what happens.

Don't lie to yourself about Pilar pushing her into your sleeping robe and try to make it nothing or to make it lousy. You were gone when you first saw her. When she first opened her mouth and spoke to you it was there already and you know it. Since you have it and you never thought you would have it, there is no sense throwing dirt at it, when you know what it is and you know it came the first time you looked at her as she came out bent over carrying that iron cooking platter.

It hit you then and you know it and so why lie about it? You went all strange inside every time you looked at her and every time she looked at you. So why don't you admit it? All right, I'll admit it. And as for Pilar pushing her onto you, all Pilar did was be an intelligent woman. She had taken good care of the girl and she saw what was coming the minute the girl came back into the cave with the cooking dish.

So she made things easier. She made things easier so that there was last night and this afternoon. She is a damned sight more civilized than you are and she knows what time is all about. Yes, he said to himself, I think we can admit that she has certain notions about the value of time. She took a beating and all because she did not want other people losing what she'd lost and then the idea of admitting it was lost was too big a thing to swallow. So she took a beating back there on the hill and I guess we did not make it any easier for her.

Well, so that is what happens and what has happened and you might as well admit it and now you will never have two whole nights with her. Not a lifetime, not to live together, not to have what people were always supposed to have, not at all. One night that is past, once one afternoon, one night to come; maybe. No, sir.

Not time, not happiness, not fun, not children, not a house, not a bathroom, not a clean pair of pajamas, not the morning paper, not to wake up together, not to wake and know she's there and that you're not alone. No. None of that. But why, when this is all you are going to get in life of what you want; when you have found it; why not just one night in a bed with sheets?

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука