Читаем For Whom The Bell Tolls полностью

"But at this point, Pastora intervened in the conversation, not perhaps as much to defend the good name of Rafael, since no one had ever spoken harder against him than she had herself, but because the manager had spoken against the gypsies by employing the phrase, 'Dirty gypsy.' She intervened so forcibly and in such terms that the manager was reduced to silence. I intervened to quiet Pastora and another Gitana intervened to quiet me and the din was such that no one could distinguish any words which passed except the one great word 'whore' which roared out above all other words until quiet was restored and the three of us who had intervened sat looking down into our glasses and then I noticed that Finito was staring at the bull's head, still draped in the purple cloth, with a look of horror on his face.

"At this moment the president of the Club commenced the speech which was to precede the unveiling of the head and all through the speech which was applauded with shouts of 'Ole!' and poundings on the table I was watching Finito who was making use of his, no, my, napkin and sinking further back in his chair and staring with horror and fascination at the shrouded bull's head on the wall opposite him.

"Toward the end of the speech, Finito began to shake his head and he got further back in the chair all the time.

"'How are you, little one?' I said to him but when he looked at me he did not recognize me and he only shook his head and said, 'No. No. No.'

"So the president of the Club reached the end of the speech and then, with everybody cheering him, he stood on a chair and reached up and untied the cord that bound the purple shroud over the head and slowly pulled it clear of the head and it stuck on one of the horns and he lifted it clear and pulled it off the sharp polished horns and there was that great yellow bull with black horns that swung Way out and pointed forward, their white tips sharp as porcupine quills, and the head of the bull was as though he were alive; his forehead was curly as in life and his nostrils were open and his eyes were bright and he was there looking straight at Finito.

"Every one shouted and applauded and Finito sunk further back in the chair and then every one was quiet and looking at him and he said, 'No. No,' and looked at the bull and pulled further back and then he said, 'No!' very loudly and a big blob of blood came out and he didn't even put up the napkin and it slid down his chin and he was still looking at the bull and he said, 'All season, yes. To make money, yes. To eat, yes. But I can't eat. Hear me? My stomach's bad. But now with the season finished! No! No! No!' He looked around at the table and then he looked at the bull's head and said, 'No,' once more and then he put his head down and he put his napkin up to his mouth and then he just sat there like that and said nothing and the banquet, which had started so well, and promised to mark an epoch in hilarity and good fellowship was not a success."

"Then how long after that did he die?" Primitivo asked.

"That winter," Pilar said. "He never recovered from that last blow with the flat of the horn in Zaragoza. They are worse than a goring, for the injury is internal and it does not heal. He received one almost every time he went in to kill and it was for this reason he was not more successful. It was difficult for him to get out from over the horn because of his short stature. Nearly always the side of the horn struck him. But of course many were only glancing blows."

"If he was so short he should not have tried to be a matador," Primitivo said.

Pilar looked at Robert Jordan and shook her head. Then she bent over the big iron pot, still shaking her head.

What a people they are, she thought. What a people are the Spaniards, "and if he was so short he should not have tried to be a matador." And I hear it and say nothing. I have no rage for that and having made an explanation I am silent. How simple it is when one knows nothing. Que sencillo! Knowing nothing one says, "He was not much of a matador." Knowing nothing another says, "He was tubercular." And another says, after one, knowing, has explained, "If he was so short he should not have tried to be a matador."

Now, bending over the fire, she saw on the bed again the naked brown body with the gnarled scars in both thighs, the deep, seared whorl below the ribs on the right side of the chest and the long white welt along the side that ended in the armpit. She saw the eyes closed and the solemn brown face and the curly black hair pushed back now from the forehead and she was sitting by him on the bed rubbing the legs, chafing the taut muscles of the calves, kneading them, loosening them, and then tapping them lightly with her folded hands, loosening the cramped muscles.

"How is it?" she said to him. "How are the legs, little one?"

"Very well, Pilar," he would say without opening his eyes.

"Do you want me to rub the chest?"

"Nay, Pilar. Please do not touch it."

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука