Hectic blotches of purple marked the tapestries that bung that circular wall, blotches that seemed like the high spots in rotten meat. The tapestries themselves the detective could not look at again after one glance. The thing he saw, sprawling over a horde of men and women, drooling flame on them, a naked figure still between its jaws, colossal, slimy paws on a little heap of human beings, was not a pretty sight.
Light came from flambeaux in the wall, and the torches cast a sickly, reddish-orange light over the scene. Thin curls of smoke from the sockets indicated an incense.
And lastly there was to be seen a sort of divan, heaped with cushions in fantastic shapes. Reclining easily on them was the most grotesque, abominable figure Fitzgerald had ever .seen. It was a man, had been once. But incredible incontinence had made the creature gross and bloated with what must have been four hundred pounds of fat. Fat swelled out the cummerbund that spanned the enormous belly, fat welted out the cheeks so that the ears of the creature could not be seen beneath the embroidered turban, gouts of fat rolled in a blubbery mass about the neck like the wattles of a dead cockerel.
"Ah," hissed Joseph Kazam. "Runi Sarif …" He drew from his shirt a little sword or big knife from whose triangular blade glinted the light of the flambeaux.
The suety monster quivered as though maggots were beneath bis skin.
In a voice that was like the sound a butcher makes when he tears the fat belly from a hog's carcass, Runi Sarif said: "Go—go back. Go back—
where you came from—" There was no beginning or ending to the speech. It came out between short, grunting gasps for breath.
Kazam advanced, running a thumb down the knife-blade. The monster on the divan lifted a hand that was like a bunch of sausages. The nails were a full half-inch below the level of the skin. Afterwards Fitzgerald assured himself that the hand was the most repellent aspect of the entire affair.
With creaking, napping wingstrokes the skulls launched themselves at the Persian, their jaws clicking stonily. Kazam and the detective were in the middle of a cloud of flying jaws that were going for their throats.
Insanely Fitzgerald beat at the things, his eyes shut. When he looked they were lying on the floor. He was surprised to see that there were just four of them. He would have sworn to a dozen at least. And they all four bore the same skillfully delivered slash mark of Kazam's knife.
There was a low, choking noise from the monster on the divan. As the detective stared Kazam stepped up the first of the three shallow steps leading to it.
What followed detective Fitzgerald could never disentangle. The lights went out, yet he could plainly see. He saw that the monstrous Runi Sarif had turned into a creature such as he had seen on the tapestry, and he saw that so had Kazam, save that the thing which was the Persian carried in one paw a blade.
They were no longer in the tower room, it seemed, nor were they on the white desert below. They were hovering in a roaring squalling tumult, in a confusion of spheres which gently collided and caromed off each other without noise.
As the detective watched, the Runi monster changed into one of the spheres and so, promptly, did Kazam. On the side of the Kazam sphere was the image of the knife. Tearing at a furious rate through'the jostling confusion and blackness Fitzgerald followed, and he never knew how.
The Kazam sphere caught the other and spun dizzily around it, with a screaming noise which rose higher and higher. As it passed the top threshold of hearing, both spheres softened and spread into black, crawling clouds. Suspended in the middle of one was the knife.
The other cloud knotted itself into a furious, tight lump and charged the one which carried the blade. It hurtled into and through it, impaling itself.
Fitzgerald shook his head dizzily. They were in the tower room, and Runi Sarif lay on the divan with a cut throat. The Persian had dropped the knife, and was staring with grim satisfaction at the bleeding figure.
"Where were we?" stuttered the detective. "Where—T At the look in Kazam's eyes he broke off and did not ask again.
The Persian said: "He stole my rights. It is fitting that I should recover them, even thus. In one plane—there is no room for two in contest."
Jovially he clapped the detective on the shoulder. "I'll send you back now. From this moment I shall be a card in your Bureau of Missing Persons. Tell whatever you wish—it won't be believed."
"It was supposed to be a paradise," said the detective.
"It is," said Kazam. "Look."
They were no longer in the tower, but on a mossy bank above a river whose water ran a gamut of pastels, changing hues without end. It tinkled out something like a Mozart sonata and was fragrant with a score of scents.
The detective looked at one of the flowers on the bank. It was swaying of itself and talking quietly in a very small voice, like a child.
"They aren't clever," said Kazam, "but they're lovely."