Икона и квадрат. Русский модернизм и русско-византийское возрождение

Spira 2008 – Spira A. The Avant-Garde Icon: Russian Avant-Garde Art and the Icon Painting Tradition. Aldershot, Hampshire: Lund Humphries, 2008.

Stepanova 2015 – Stepanova V. Diary: 1919–1921 // Kazimir Malevich: Letters, Documents, Memoirs, Criticism: In 2 vols. / Ed. by I. Vakar, T. Mikhienko, C. Douglas. Vol. 2. London: Tate Publishing, 2015.

Stephenson 2010 – Stephenson P. Pioneers of Popular Byzantine History: Freeman, Gregorovius, Schlumberger // The Byzantine World / Ed. by Paul Stephenson. New York: Routledge, 2010. P. 462–480.

Strigalev, Harten 1993 – Vladimir Tatlin: Retrospektive / Hg. von A. Strigalev, J. Harten. Köln: Dumont, 1993.

Summers 2003 – Summers D. Real Spaces: World Art History and the Rise of Western Modernism. New York: Phaidon Press, 2003.

Tarasov 2001 – Tarasov O. The Russian Icon and the Culture of the Modern: The Renaissance of Popular Icon Painting in the Reign of Nicholas II // Experiment. 2001. Vol. 7. P. 73–101.

Tarasov 2011 – Tarasov O. Framing Russian Art: From Early Icons to Malevich / Transl. by R. Milner-Gulland, A. Wood. London: Reaktion, 2011.

Taroutina 2016 – Taroutina M. Second Rome or Seat of Savagery: The Case of Byzantium in Nineteenth-Century European Imaginaries // Civilisation and Nineteenth-Century Art: A European Concept in Global Context / Ed. by David O’Brien. Manchester: Manchester University Press, 2016. P. 150–177.

Taussig 1999 – Taussig M. Defacement: Public Secrecy and the Labor of the Negative. Stanford: Stanford University Press, 1999.

Tikkanen 1891 – Tikkanen J. Die Genesismosaiken von S. Marco // Venedig und ihr Verhältniss zu den Miniaturen der Cottonbibel, nebst einer Untersuchung über den Ursprung der mittelalterlichen Genesisdarstellung be-sonders in der byzantinischen und italienischen Kunst. Helsinki: Druckerei der finnischen Litteratur-gesellschaft, 1891.

Tsakiridou 2013 – Tsakiridou C. Icons in Time, Persons in Eternity: Orthodox Theology and the Aesthetics of the Christian Image. Farnham, Surrey: Ashgate, 2013.

Ugolnik 1989 – Ugolnik A. The Illuminating Icon. Grand Rapids, Mich.: Wm. B. Eerdmans, 1989.

Unger 1878 – Unger F. W. Quellen der byzantinischen Kunstgeschichte. Vienna: W. Braumüller, 1878.

Uzlaner 2014 – Uzlaner D. The Pussy Riot Case and the Peculiarities of Russian Post-Secularism // State, Religion, and Church. 2014. Vol. 1, № 1. P. 23–58.

Vejdle 2015 – Vejdle V. Art Under Soviet Power // Kazimir Malevich: Letters, Documents, Memoirs, Criticism: In 2 vols. / Ed. by I. Vakar, T. Mikhienko, C. Douglas. Vol. 2. London: Tate Publishing, 2015.

Walicki 1975 – Walicki A. Slavophile Controversy: History of a Conservative Utopia in Nineteenth-Century Russian Thought / Transl. by Hilda Andrews-Rusiecka. Oxford: Clarendon Press, 1975.

Walicki 1979 – Walicki A. A History of Russian Thought: From the Enlightenment to Marxism. Stanford: Stanford University Press, 1979.

Warren 2013 – Warren S. Mikhail Larionov and the Cultural Politics of Late Imperial Russia. Burlington, Vt.: Ashgate, 2013.

Washton Long 1980a – Washton Long R.-C. Kandinsky: The Development of an Abstract Style. Oxford: Clarendon Press; New York: Oxford University Press, 1980.

Washton Long 1980b – Washton Long R.-C. Vasilii Kandinsky, 1909–1913: Painting and Theory // The Life of Vasilii Kandinsky in Russian Art: A Study of «On the Spiritual in Art» / Ed. by J. E. Bowlt, R.-C. Washton Long; transl. by J. E. Bowlt. Newtonville, Mass.: Oriental Research Partners, 1980.

Weiss 1979 – Weiss P. Kandinsky in Munich: The Formative Jugendstil Years. Princeton: Princeton University Press, 1979.

Weiss 1984 – Weiss P. Kandinsky: The Development of an Abstract Style, by Rose-Carol Washton Long // Art Journal. 1984. Spring. Vol. 44, № 1.

Weiss 1995 – Weiss P. Kandinsky and Old Russia: The Artist as Ethnographer and Shaman. New Haven: Yale University Press, 1995.

Werenskiold 1989 – Werenskiold M. Kandinsky’s Moscow // Art in America. 1989. March. Vol. 77. P. 96–111.

Winfield 1968 – Winfield D. C. Middle and Later Byzantine Wall Painting Methods: A Comparative Study // Dumbarton Oaks Papers. 1968. Vol. 22. P. 61–139.

Wolf 1959 – Wolf R. L. The Three Romes: The Migration of an Ideology and the Making of an Autocrat // Daedalus. 1959. Vol. 88, № 2. P. 291–311.

Worringer 1908 – Worringer W. Abstraktion und Einfühlung: Ein Beitrag zur Stilpyschologie. Munich: R. Piper, 1908.

Wortman 2003 – Wortman R. The «Russian Style» in Church Architecture as Imperial Symbol After 1881 // Architectures of Russian Identity, 1500 to the Present / Ed. by J. Cracraftand D. Rowland. Ithaca: Cornell University Press, 2003. P. 101–116.

Wortman 2006 – Wortman R. Scenarios of Power: Myth and Ceremony in Russian Monarchy from Peter the Great to the Abdication of Nicholas II. Princeton: Princeton University Press, 2006.

Wulff 1903 – WulffO. Die Koimesiskirche In NicäA Und Ihre Mosaiken Nebst Den Verwandten Kirchlichen BaudenkmäLern: Eine Untersuchung Zur Geschichte Der Byzantinischen Kunst Im I. Jahrtausend. Strassburg: Heitz & MüNdel, 1903.