The tools shed was a mess: wheelbarrows at various wild angles, picks and shovels and mattocks tangled against the walls, great teetering stacks of dented metal buckets and foam kneeling mats and neon-yellow visibility vests (someone had written INSERT FOOT HERE, with an arrow pointing downwards, on the back of the top one), everything crusted in ragged layers of dried mud. A few people kept their bikes there. Cassie and Sam had been working from left to right; the left-hand side had that unmistakable post-search look, discreetly tidy and invaded.
Sam was kneeling at the back of the shed between a broken wheelbarrow and a heap of green tarpaulins, holding up the corner of the tarps with one gloved hand. We picked our way through the tools and squeezed in beside him.
The trowel had been jammed down behind the pile of tarps, between them and the wall; jammed hard enough that the point, when it caught halfway down, had gouged a rip into the tough material. There was no lightbulb and the shed was dim even with the big doors open, but Sam shone his torch on the handle: sc
, big uneven letters with Gothic serifs, charred deep into the varnished wood.There was a long silence; only the dog and the car alarm, on and on in the distance, with identical mechanical determination.
"I'd say the tarps aren't used very often," Sam said quietly. "They were behind everything else, under broken tools and all. And didn't Cooper say she was probably wrapped in something, the day before she was found?"
I stood up and dusted bits of muck off my knees. "Right here," I said. "Her family was going crazy looking for her, and she was right here all the time." I had got up too fast, and for a moment the shed rocked around me and receded; there was a high white buzz in my ears.
"Who's got the camera?" Cassie said. "We'll need to photograph this before we bag it."
"Sophie's lot," I said. "We'll need them to go over this place, too."
"And look," Sam said. He shone the torch over at the right-hand side of the shed, picked out a big plastic bag half full of gloves, those green rubber gardening gloves with woven backs. "If I needed gloves, I'd just take a pair out of there and throw them back in afterwards."
"Detectives!" Sophie yelled, somewhere outside. Her voice sounded tinny, compressed by the lowering sky. I jumped.
Cassie started to spring up, glanced back at the trowel. "Someone should probably-"
"I'll stay," Sam said. "You two go on ahead."
Sophie was on the steps of the finds shed, a black-light in her hand. "Yeah," she said, "definitely your crime scene. He tried to clean up, but…Come see."
The two baby techs were crammed into a corner, the guy holding two big black spray bottles, Helen with a video camera; her eyes were large and stunned over her mask. The finds shed was too small for five and the sinister, clinical incongruity the techs had brought with them turned it into some makeshift guerrilla torture chamber: paper covering the windows, bare lightbulb swinging overhead, masked and gloved figures waiting for their moment to step forward. "Stay back by the desk," Sophie said, "away from the shelves." She slammed the door-everyone flinched-and pressed tape back into place over the cracks.
Luminol reacts with even the tiniest amount of blood, making it glow under ultraviolet light. You can paint over a splattered wall, scrub a carpet till it looks brand-new, keep yourself off the radar for years or decades; luminol will resurrect the crime in delicate, merciless detail.
Hiss of a spray bottle, the video camera's tiny red eye moving in. Sophie squatted and held her black-light close to the floor, near the shelves. "There," she said.