He was being snotty because we were too late for the post-mortem. It was, in all fairness, not even eleven o'clock, but Cooper gets into work between six and seven, leaves by three or four, and likes you to remember it. His morgue assistants all hate him for this, which doesn't bother him because he mostly hates them, too. Cooper prides himself on instant, unpredictable dislikes; as far as we've been able to figure out so far, he dislikes blond women, short men, anyone with more than two earrings and people who say "you know" too much, as well as various random people who don't fit into any of these categories. Fortunately he had decided to like me and Cassie, or he would have made us go back to work and wait until he sent over the post-mortem results (handwritten-Cooper writes all his reports in spidery fountain pen, an idea I sort of like but don't have the courage to try out in the squad room). There are days when I worry, secretly, that in a decade or two I might wake up and discover I've turned into Cooper.
"Wow," Sam said, trying. "Finished already?" Cooper gave him a chilly glance.
"Dr. Cooper, I'm so sorry to burst in on you at this hour," Cassie said. "Superintendent O'Kelly wanted to go over a few things, so we had a hard time getting away." I nodded wearily and raised my eyes to the ceiling.
"Ah. Well, yes," Cooper said. His tone implied that he found it slightly tasteless of us to mention O'Kelly at all.
"If by any chance you have a few moments," I said, "would you mind talking us through the results?"
"But of course," Cooper said, with an infinitesimal, long-suffering sigh. Actually, like any master craftsman, he loves showing off his work. He held the autopsy-room door open for us and the smell hit me, that unique combination of death and cold and rubbing alcohol that sends an instinctive animal recoil through you every time.
Bodies in Dublin go to the city morgue, but Knocknaree is outside the city limits; rural victims are simply brought to the nearest hospital, and the post-mortem is done there. Conditions vary. This room was windowless and grubby, layers of grime on the green floor-tiles and nameless stains in the old porcelain sinks. The two autopsy tables were the only things in the room that looked post-1950s; they were bright stainless steel, light flaring off those grooved edges.
Katy Devlin was naked under the merciless fluorescent lights and too small for the table, and she looked somehow much deader than she had the previous day; I thought of the old superstition that the soul lingers near the body for a few days, bewildered and unsure. She was gray-white, like something out of Roswell, with dark blotches of lividity down her left side. Cooper's assistant had already sewn her scalp back together, thank God, and was working on the Y incision across her torso, big sloppy stitches with a needle the size of a sailmaker's. I felt a momentary, crazy pang of guilt at being late, at leaving her all on her own-she was so small-through this final violation: we should have been there, she should have had someone to hold her hand while Cooper's detached, gloved fingers prodded and sliced. Sam, to my surprise, crossed himself unobtrusively.
"Pubescent white female," Cooper said, brushing past us to the table and motioning the assistant away, "aged twelve, so I'm told. Height and weight both on the low side, but within normal limits. Scars indicating abdominal surgery, possibly an exploratory laparotomy, some time ago. No obvious pathology; as far as I can tell, she died healthy, if you'll pardon the oxymoron."
We clustered around the table like obedient students; our footsteps threw small flat echoes off the tiled walls. The assistant leaned against one of the sinks and folded his arms, chewing stolidly on a piece of gum. One arm of the Y incision still gaped open, dark and unthinkable, the needle stuck casually through a flap of skin for safekeeping.
"Any chance of DNA?" I asked.
"One step at a time,
"So maybe she dodged, or she was running away from him while he was swinging," Cassie said.