Исчезающие люди. Стыд и внешний облик

LeCoque, Andre (1987). Encyclopedia of Religion (ed. Mircea Eliade). New York: Macmillan.

Leonardo Da Vinci (1938). The Notebooks of Leonardo DaVinci (ed. Edward MacCurdy). London: Macmillan.

Leonardo Da Vinci (1945). The Drawings of Leonardo da Vinci (ed. A. E. Popham). New York: Harcourt.

Lewis, C. S. The Chronicles of Narnia.

Lewis, Helen Block (1971). Shame and Guilt in Neurosis. New York: International Universities Press.

Lewis, Michael (1992). Shame: the exposed self. Glencoe, Scotland: Free Press.

Levy, Steven T. and Inderbitzin, Larence B. (1997). Safety, danger and analytic authority. Journal of the American Psychoanalytic Association 45(2):377–394.

Lynd, Helen (1958). On Shame and the Search for Identity. New York: Harcourt.

Mahoney, Patrick (1989). Aspects of nonperverse scopophilia within an analysis. Journal of the American Psychoanalytic Association 37(2):365–400.

Martin-Cabre, Luis J. (1997). Freud-Ferenczi: controversy terminable and interminable. International Journal of Psychoanalysis 30:69–74.

Marvell, Andrew [1681 (1972)]. Complete Poems. Penguin.

Matthaei, Renate (1973). Luigi Pirandello (trans. Somon and Erika Young). New York: Ungar.

Mauss, Marcel (1967). The Gift: forms and functions of exchange in archaic societies (trans. Ian Cunnison). New York: Norton.

Melinkoff, Ruth (1993). Outcasts: signs of otherness in Northern European art of the Late Middle Ages. 2 vols. Berkeley: University of California Press.

Melville, Herman (1988). Moby Dick, or the Whale.

Evanston III.: Northwestern University Press.

Merleau-Ponty, Maurice (1964). Le visible et I’invisible. Paris: Tel.

Miller, William (1993). Humiliation. Ithaca: Cornell University Press.

Milton, John (1640–1665). Paradise Lost.

Milton, John (1640–1670). Samson Agonistes.

Milton, John (1941). The Complete Poetical Works (ed. Harris Francis Fletcher). Cambridge, Mass.: Riverside Press.

Morrison, Andrew (1989). Shame the Underside of Narcissism. Hillsdale, NJ.: Analytic Press.

Morrison, Andrew (1996). The Culture of Shame. Hillsdale, N.Y.: Ballantine Books.

Nagel, Julie J. (1998). Injury and pain in performing musicians: a psychodynamic diagnosis. Bulletin of the Menninger Clinic 62(1):83–95.

Nagel, Julie J. (1999). The Paradox of Performance Anxiety in Musicians: the delusion of omnipotence (unpublished paper).

Nagel, Thomas (1998). The shredding of public privacy; reflections on recent events in Washington. Times Literary Supplement, August 14, 1998.

Nathanson, Donald, ed. (1987). The Many Faces of Shame. New York: Guilford Press.

Novick, K. K. and Novick, J. (1991). Some comments on masochism and the delusion of omnipotence from a developmental perspective. Journal of the American Psychoanalytic Association 39:307–331.

Novick, K. K. and Novick, J. (1992). Shame and Pride: affect, sex and the birth of the self. New York: Norton.

Pagels, Elaine (1988). Adam, Eve and the Serpent. New York: Random.

Peristiany, J. B. (1965). Honour and Shame: the values of Mediterranean society.

London: Weidenfeld and Nicolson.

Piers, G. and Singer, M. [1953 (1971)]. Shame and Guilt. New York: Norton.

Pirandello, Luigi (1926). The Notebooks of Serafino Gubbio, Cinematograph Operator, or Shoot (trans. C. K. Scott-Moncrieff). New York: Dutton.

Pirandello, Luigi (1928). The Old and the Young, 2 vols. (trans. C. K. Scott-Moncrieff). New York: Dutton.

Pirandello, Luigi (1931). As You Desire Me (Come tu mi vuoi). A play in three acts (trans. Samuel Putnam). New York: Dutton.

Pirandello, Luigi (1933). One, None and a Hundred Thousand (trans. Samuel Putnam). New York: Dutton.

Pirandello, Luigi (1952). Naked Masks; five plays by Luigi Pirandello (ed. Eric Bentley). New York: Dutton.

Pirandello, Luigi (1964). The Late Mattia Pascal (trans. William Weaver). London: Andre Deutsch.