Guidebooks warned against ‘squalid Polish Jews’, and a ‘miasma of filth’, but to some it was the Protestant pilgrims who tainted the place.17
‘Lepers, cripples, the blind and idiotic, assail you on every hand,’ observed Samuel Clemens, the journalist from Missouri who wrote as ‘Mark Twain’. Travelling the Mediterranean aboard theThe tourists, whether religious or secular, Christian or Jewish, Chateaubriand, Montefiore or Twain, were good at seeing where gods had stood but almost blind when it came to seeing the actual people who lived there. Throughout her history, Jerusalem existed in the imagination of devotees who lived faraway in America or Europe. Now that these visitors were arriving on steamships in their thousands, they expected to find the exotic and dangerous, picturesque and authentic images they had imagined with the help of their Bibles, their Victorian stereotypes of race, and, once they arrived, their translators and guides. They saw only the diversity of costumes in the streets and dismissed the images they did not like as Oriental filth and what Baedeker called ‘wild superstition and fanaticism’. Instead, they would build the ‘authentic’ grand Holy City they had expected to find. It was these views that would drive the imperial interest in Jerusalem. As for the rest – the vibrant, half-veiled, ancient world of the Arabs and Sephardic Jews – they could scarcely see it. But it was very much there.18
ARAB CITY, IMPERIAL CITY
1870–80
YUSUF KHALIDI: MUSIC, DANCING, DAILY LIFE
The real Jerusalem was like a Tower of Babel in fancy dress with a hierarchy of religions and languages. Ottoman officers wore embroidered jackets coupled with European uniforms; Ottoman Jews, Armenians and Arab Christians and Muslims sported frock-coats or white suits with a new piece of headgear that symbolized the new reformed Ottoman empire: the tarbush, or fez; the Muslim
If this seemed chaotic to the outsiders, the sultan-caliph presided over a Sunni empire: the Muslims were at the top; the Turks ruled; then came the Arabs. The Polish Jews, much mocked for their poverty, ‘wailing’ and the trance-like rhythms of their prayers, were at the bottom; but in between, in a half-submerged folk culture, there was much blending, despite the stringent rules of each religion.