Mecca remained for the moment beyond his control, but he possessed Jerusalem, which he revered as much as Muawiya had. Abd al-Malik envisaged the creation of a united Islamic empire out of a second civil war, with Bilad al-Shams – Syria–Palestine – as its heart: he planned a highway between Jerusalem and Damascus.*
Muawiya had planned to build over the Rock: now Abd al-Malik assigned seven years’ worth of his Egyptian revenues to create the Dome of the Rock.The plan was exquisitely simple: a dome, 65 feet in diameter supported by a drum, all resting on octagonal walls. The Dome’s beauty, power and simplicity are equalled by its mystery: we do not know exactly why Abd al-Malik built it – he never said. It is not actually a mosque but a shrine. Its octagonal shape resembles a Christian martyrium, indeed its dome echoes those of the Holy Sepulchre and Hagia Sofia in Constantinople yet its circular walkways designed for circumambulation recall the Kaaba of Mecca.
The Rock was the site of Adam’s paradise, Abraham’s altar, the place where David and Solomon planned their Temple later visited by Muhammad on his Night Journey. Abd al-Malik was rebuilding the Jewish Temple for the true revelation of God, Islam.
The building has no central axis but is encircled thrice – first by the outside walls, next by the octagonal arcade and then right under the dome, bathed in sunlight, the arcade around the Rock itself: this declared that this place was the centre of the world. The dome itself was heaven, the link to God in human architecture. The golden dome and the lush decorations and gleaming white marble declared this was the new Eden, and the place for the Last Judgement when Abd al-Malik and his Umayyad dynasty, would surrender their kingdom to God at the Hour of the Last Days. Its wealth of images – jewels, trees, fruit, flowers and crowns – make it a joyful building even for non-Muslims – its imagery combined the sensuality of Eden with the majesty of David and Solomon.
The Dome’s message was therefore also imperial: since he had not regained Mecca from his rebels, he was declaring the grandeur and permanence of his dynasty to the Islamic world – and possibly, if he had not retaken the Kaaba, he might have made this his new Mecca. The gold dome projected his glory as an Islamic emperor. But it had a wider audience: just as Justinian’s Hagia Sofia in Constantinople had surpassed Solomon, so Abd al-Malik was surpassing Justinian, and Constantine the Great too, a rebuke of the Christian claim to be the new Israel. Ironically, the mosaics were probably the work of Byzantine craftsmen, lent to the Commander by Justinian II during a rare peace between the empires.
After it was finished in 691/2, Jerusalem was never the same again: Abd al-Malik’s astonishing vision seized the skyline of Jerusalem for Islam by building on the mountain, disdained by the Byzantines, which ruled the city. Physically the Dome dominated Jerusalem and overshadowed the Church of the Holy Sepulchre – and that was Abd al-Malik’s purpose, believed later Jerusalemites such as the writer al-Muqaddasi. It worked: henceforth right up into the twenty-first century, the Muslims mocked the Church of the Holy Sepulchre – the
The Jews were less important imperially but more important theologically. The Dome was maintained by 300 black slaves assisted by twenty Jews and ten Christians. The Jews could not help but see the Dome with hope: was it their new Temple? They were still allowed to pray there and the Umayyads created an Islamic version of the Temple rituals of purification, anointment and circumambulation of the stone.*