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Rachel reached her place outside Ursula’s house. She was sweating; her armpits and the small of her back felt clammy under her dark anorak. Taking the binoculars from her pocket, she let herself imagine briefly what her mother would say if only she could see her now. Rachel saw her mother’s face, pale and luminous, beautiful as she herself had never been, never would be now. She cut off the thought, before any hint of disappointment was visible in her mother’s face, before those lovely lips could utter her name.

The spot she’d come to was directly above and behind Ursula’s house. She had a perfect view into the kitchen and the bedroom, the one where Ursula slept. The bathroom window was pressed glass, a translucent pattern through which Ursula’s toweled head was sometimes visible after her nightly bath. Rachel knelt on the bed of leaves she’d arranged to make the spot more comfortable. She had been lucky in the weather. This summer had been incredibly dry so far; she’d only been rained on once—a minor miracle. She lifted the binoculars and focused on the kitchen table. An open bottle of red wine was there, as usual. No glass, though; she must have it with her. Rachel swung the binoculars from window to window, looking for Ursula’s form or any sign of movement. She might be in the bath. But she usually brought the bottle if she was going to have a long soak. Rachel focused in on the bottle on the kitchen table. It was newly opened; probably Ursula had just gone into the bedroom and would return to the kitchen soon. She decided to settle in. She had waited so long for this opportunity, and everything was going so well, just as she had planned; what need was there to rush? She could certainly bide her time for another few minutes.

She opened her rucksack and felt around until her fingers found the flat bundle she sought, wedged up against one side. She drew it out, and slowly unwrapped a long-bladed knife, admiring the way the metal glowed dully in the moonlight. Sitting hidden in the hedge, feeling the blood pulsing through her temples and her breath slowly flowing in and out, Rachel suddenly realized that she had never felt more alive.

Book Three

SPEAKING IN RIDDLES

They speak in riddles, hinting at things, leaving much to be understood.

—the Greek philosopher Poseidonius, writing about the Celts in the first century B.C.

1

When her alarm sounded at seven, Nora was first conscious of the fresh air coming in through the open window. She felt warm and comfortable in the bed, aware of Cormac’s weight beside her. She resisted getting up right away; instead she turned to face him, luxuriating in this temporary illusion of domesticity. It was quite usual for her to fall asleep before he did, and that, added to the fact that they hadn’t spent many nights together in the first place, meant she hadn’t had many opportunities to study him as he slept. It was lovely seeing him so relaxed and oblivious, since that wasn’t the usual picture she had of him. His hair was pushed into odd tufts where it rested against the pillow. She admired the natural embouchure of his lips that she found so pleasing, the slight concavity of the unshaven cheeks; her eyes lingered for a long while on the tiny whitened scar at the edge of his hairline. Her heart suddenly squeezed tight as a fist, thinking of all the stories she had not yet had a chance to know.

When she noticed a small smear of dried blood on the pillowcase, she suddenly remembered Detective Ward’s plaster-patched shaving cut a few days earlier. Pushing the covers aside, she examined Cormac’s neck and chest. No apparent wound. Then he stirred and turned over, and she saw three red lines on the side of his neck, fresh enough that they were still caked with a small amount of blood. She looked at her own fingernails, cut short. How could she have done that to him without knowing? But how else could he have acquired them? She tucked the duvet around him again. If she had hurt him, he had not complained.

Unwilling to wake him so early, she slid out of bed, slipped quickly into her jeans and work shirt, and carried her shoes downstairs. She moved around the kitchen, noting the dishes all washed and stacked neatly in the drainer. He’d been up again last night while she was asleep, tidying the kitchen, the books and papers on his work table. While she waited for the coffee to brew, she made some sandwiches to take out to the bog for lunch, and thought again about the night before: the fairy bush, her feeling that some mischief was afoot. Cormac hadn’t seemed at all surprised when she’d finally told him she was leaving. He said he had always known—just as she had. But knowing didn’t make it any easier.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

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