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Adele held up her hands in mock surrender, the spoon clutched between her pointer and middle finger. “Sorry. I got carried away. I promise not to flick milk at you anymore.”

Her smile faded somewhat as Robert washed his cheek, and her own thoughts returned to the matters of the day. She could feel her phone in her pocket, pressed against her leg, silent. Far too silent. She had told John to call her the moment the tox reports came in. But it was just too broad. The technicians, even at Interpol, would have to spend days sifting through data and records, trying to locate matches of the substance in Marion’s system. They needed a way to narrow down the search. But how?

“I’m serious about staying here,” said Robert. “Only if you want to. But—”

“I don’t know how long I’ll be here for,” said Adele, wincing as she did. She knew that living in this giant mansion on his own was a source of loneliness for Robert. She knew he saw her as the daughter he never had. And, unlike the Sergeant, he was one of the more affectionate people she knew—a rare quality in fathers, in her experience. Robert actually seemed to enjoy things.

And yet, it felt a great burden to be the medicine for someone’s loneliness. Though, with Robert, if there was anyone deserving of her affection, it was him. He’d done her a good turn on far more than one occasion. Still, she was in France to do a job, not to rekindle old friendships…

“Robert,” she said, softly, “remember that case, three years ago, the one you emailed me about?”

Her old mentor frowned, scratching at his jaw. “Which one?”

“The one with that museum, where they tried to spend the night in the bathroom stalls to avoid the security cameras.”

“Ah, yes. A bomb attack. I remember. Foiled.”

Adele nodded. “You said something interesting about that case. I—I wanted to ask you about it, but it was hard to communicate what I meant over an email.”

A lesser man might have said something like, “Phones work too,” or, “My door is always open.” But while Robert definitely felt the hurt that could have spurred such words—she could see it in his eyes—he didn’t say it. Instead, he just watched her, a kind look on his face. “Ah, yes. I think I remember. It was a strange thing in an art museum.”

“It wasn’t the museum so much, but what you said about the man planning to kill the curator, and plant that bomb. He was going to kill fifty people if it had worked, maybe more. A monster. But you’ve never seen those people like that, have you?”

Robert studied her a bit and rubbed his finger across the spine of the book that he still held closed.

“What do you mean?”

Adele sighed, thinking of her time back stateside. Thinking of hunting down this killer, of what had been done to Marion, what had been done to her mother. “You have a compassion for these killers, too. Don’t you?”

Robert hesitated, staring at the plastic bowl in Adele’s hand. He shifted against the cherry wood cabinet, and then winced and quickly jerked away lest he stain his expensive bathrobe. He stood, straight postured, chin high, but eyes thoughtful. “I remember,” he said, his voice fading in thought. “I believe I do. I know how to use email; there is that. Perhaps the internet isn’t so bad after all. But I remember because it was a strange thing to happen in a museum. There were some paintings there that sold for hundreds of millions before being donated. Beautiful paintings. Statues and art encapsulating human history.” He trailed off, a vacant look in his eyes as he stared through the skylight into the dark skies above.

Adele said, “I’ve never appreciated art that much, but what little appreciation I have comes from how you talk about it.”

Robert didn’t seem to hear her, and he continued, leaving where he left off as if he hadn’t even stopped. “That museum held so much beauty, but when I hear about plans to kill people, be it the victim or the killer, all I feel is sadness.” He shook his head. “It’s easy to think of people as monsters. And perhaps some of them are. But they didn’t have to be. It’s like a vandalized Mona Lisa. It’s like seeing Notre Dame burning. Human beings are far more valuable than any piece of art. We are walking, breathing, thinking, loving, hoping masterpieces who flit about on the surface of this world. Think about how large the universe is. Each of us could have had our own planet, alone, standing in solitude as the rarest of things. Think about how diamonds are treated, as if they are the most valuable thing in the world. People guard them jealously. We build safes and hire security and carry guns to protect them. Imagine if people thought of others, other humans, with the same sense of value…”

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Left To Die
Left To Die

"When you think that life cannot get better, Blake Pierce comes up with another masterpiece of thriller and mystery! This book is full of twists and the end brings a surprising revelation. I strongly recommend this book to the permanent library of any reader that enjoys a very well written thriller."–-Books and Movie Reviews, Roberto Mattos (re Almost Gone)LEFT TO DIE is book #1 in a new FBI thriller series by USA Today bestselling author Blake Pierce, whose #1 bestseller Once Gone (Book #1) (a free download) has received over 1,000 five star reviews.FBI special agent Adele Sharp is a German-and-French raised American with triple citizenship—and an invaluable asset in bringing criminals to justice as they cross American and European borders.When a serial killer case spanning three U.S. states goes cold, Adele returns to San Francisco and to the man she hopes to marry. But after a shocking twist, a new lead surfaces and Adele is dispatched to Paris, to lead an international manhunt.Adele returns to the Europe of her childhood, where familiar Parisian streets, old friends from the DGSI and her estranged father reignite her dormant obsession with solving her own mother's murder. All the while she must hunt down the diabolical killer, must enter the dark canals of his psychotic mind to know where he will strike next—and save the next victim before it's too late.An action-packed mystery series of international intrigue and riveting suspense, LEFT TO DIE will have you turning pages late into the night.Books #2 and #3 in the series – LEFT TO RUN and LEFT TO HIDE – are also available for preorder!

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