The 2nd windfall was the unexpected turn taken by our researches this past spring, when we completed the Concordance program and reviewed the initial computer printouts. You will recall that even in our 1st application we intimated (and could have no more than intimated, so tentative were our own speculations at that time) that the Concordance was to be “novel,” even “revolutionary”: the “Bellerophonic Prospectus” which we submitted to the foundation through Mr. Mack merely suggested that the circuitry of our proposed LILYVAC should be capable of mimicking prose styles on the basis of analyzed samples, and even of composing hypothetical works by any author on any subject. In our fall 1966 programming, stung by the spurious Giles, we made provisions for experiments in this line, thinking that publication of such canards as an End of the Road Continued or a Sot-Weed Redivivus or a Son of Giles might expose, confound, and neutralize our enemies; might even force reparations to aid our great work and set us free of the goats and RESET So successful was our circuitry and program design (despite the modest, even primitive, facility that is LILYVAC I), the 1st printouts, we are happy to report, transcended these petty possibilities.
We say transcended, rather than exceeded, because like a gift from the Grand Tutor, what LILYVAC gave us was not exactly what we had petitioned for, its superior “eyes” having espied in our data what ours had not. It did indeed produce a few pages of mimicry, in the format of letters written by our enemies and others; it even synopsized, as if in farewell to our Concordance project, a scripture to be called Revised New Revised New Syllabus. But the burden of its message to us was, not to abandon these enterprises, but to incorporate them into the grander project herewith set forth, to be code-named NOVEL.
The details are too sensitive to entrust to the ordinary post; we shall confide them to the foundation through Mr. Drew Mack on a “need-to-know” basis. But bear in mind that we are not an homme de lettres; that The Shoals of Love, The Was_, and Backwater Ballads were not mere novels, but documents disguised in novel format for the purpose of publicly broadcasting private messages to our parents — who, we now have reason to believe, have not been deaf to those cunning, painful ciphers, and may be replying to us in kind through LILYVAC.