Little Big Man

Now a few words on the composition of these memoirs. In their original form they consisted of fifty-seven rolls of tape recorded in Mr. Crabb’s voice. From February to June, 1953, I sat with him every weekday afternoon, operating the machine, encouraging him when his enthusiasm flagged, now and again putting pertinent questions that aided him in clarifying his account, and generally making myself unobtrusively useful.

It was, after all, his book, and I felt peculiarly honored to have rendered it my small services. The locale of these sessions was his tiny bedroom, a cheerless enclosure furnished in gray metal and looking onto an airshaft up which noxious vapors climbed from the kitchen two floors below. The glass-enclosed balcony on which I had first met him would no doubt have been more comfortable but for my allergy to its flora, not to mention the possibilities it afforded for interruption by the other old people and members of the staff.

Then too, Mr. Crabb was visibly failing during these months. By March he had taken permanently to his bed. By June, on the final tapes, his voice was hardly audible, though his mind continued vigorous. And on the twenty-third day of that month he greeted me with glazed eyes that did not alter their focus as I crossed the room. The old scout had reached the end of his trail.

After checking out of the motel in which I had resided for five months, I attended the subsequent funeral, at which I expected to be sole mourner, since he had no friends; but in actuality most of the other ambulatory inmates were present, wearing, after the fashion of old people at such functions, expressions of smug satisfaction.

The obsequies were held on June 25, 1953, which happened to be the seventy-seventh anniversary of the Battle of the Little Bighorn. In death as in life, Jack Crabb seemed to specialize in the art or craft of coincidence.

As to the text: it is faithful to Mr. Crabb’s narration as transcribed literally from the tapes. I have subtracted nothing, and added only the necessary marks of punctuation: when the latter sometimes seem sparse, my motive has been to indicate the breathless rush in which these passages emerged from the speaker. I have made no attempt to reproduce the old scout’s peculiar voice or pronunciation, lest the entire book resemble the letter which he wrote me from Marville.

He was a gifted raconteur and had a keen ear: in no other fashion can I account for certain inconsistencies. You will notice that while the direct narration, in propria persona, is ungrammatical, a cultivated character such as General Custer speaks in the formal style. And Indian discourse in translation appears impeccable as to grammar and syntax. Indeed, in his own speech Mr. Crabb is not always uniform, using “brought” and “brung,” say, or “they was” and “they were,” interchangeably. But listen occasionally to individuals of the lower orders among your acquaintance, your garageman or bootblack—he knows the rules of civilized rhetoric; has not, after all, been living on the moon; can, if he wishes, speak well, and sometimes may if only to elicit a gratuity. It is clear his habitual idiom is a product of the self-indulgent will.

You may question Mr. Crabb’s having in his untutored vocabulary such a word as “apprehension.” But it must be remembered that the frontiersman of yore received his rude culture from many sources: for example, Shakespearean troupes traveled to the farthest outposts; as did ministers of the gospel, with the King James Bible in their saddlebags. Then as we shall read, under Mrs. Pendrake’s tutelage young Jack was exposed to Alexander Pope and no doubt other notable poets as well.

I think you will agree that Mr. Crabb is astonishingly circumspect as to language. Occasional uncouthness, yes. Consider the man, his circumstances and time. But his attitude towards women has an old-fashioned gallantry to it: romantic, sentimental—to be honest, I think it even cloying at times. He may have overdrawn his portrait of Mrs. Pendrake, for example. I suspect she may have been no more than the trollop each of us has encountered now and again in his own passage through life. My own ex-wife, say—but this is Mr. Crabb’s book and not mine.

However, when not giving direct dictation, Jack Crabb, man to man, was probably the foulest-mouthed individual of whom I have ever had experience. He was incapable of speaking one entire sentence that could be uttered word for word from a public platform or quoted in a newspaper. It was “Hand me the _______ microphone, son.… I wonder when that _______ nurse is bringing the _______ lunch.” So I must ask the reader to make his own substitutions when in the course of the narrative Mr. Crabb represents himself as saying to Wyatt Earp, in that famous confrontation down on the buffalo range: “Draw, you goddam Belch, you.” Be assured the idiom was far stronger.