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To either side of her ran wooden slats. Their patterns of grain and knots had become intimate knowledge. Far to the north, she recalled, among the Nathii, the dead were buried in wood boxes. The custom had been born generations ago, arising from the more ancient practice of interring corpses in hollowed-out tree trunks. The boxes were then buried, for wood was born of earth and to earth it must return. A vessel of life now a vessel of death. The Mhybe imagined that, if a dead Nathii could see, moments before the lid was lowered and darkness swallowed all, that Nathii's vision would match hers.

Lying in the box, unable to move, awaiting the lid. A body past usefulness, awaiting the darkness.

But there would be no end. Not for her. They were keeping it away. Playing out their own delusions of mercy and compassion. The Daru who fed her, the Rhivi woman who cleaned and bathed her and combed the wispy remnants of her hair. Gestures of malice. Playing out, over and over, scenes of torture.

The Rhivi woman sat above her now, steadily pulling the horn comb through the Mhybe's hair, humming a child's song. A woman the Mhybe remembered from her other life. Old, she had seemed back then, a hapless woman who had been kicked in the head by a bhederin and so lived in a simple world.

I'd thought it simple. But that was just one more illusion. No, she lives amidst unknowns, amidst things she cannot comprehend. It is a world of terror. She sings to fend off the fear born of her own ignorance. Given tasks to keep her busy.

Before I had come along for her, this woman had helped prepare corpses. After all, the spirits worked through such childlike adults. Through her, the spirits could come close to the fallen, and so comfort them and guide them into the world of the ancestors.

It could be nothing other than malice, the Mhybe concluded, to have set this woman upon her. Possibly, she was not even aware that the subject of her attentions was still alive. The woman met no-one's eyes, ever. Recognition had fled with the kick of a bhederin's hoof.

The comb dragged back and forth, back and forth. The humming continued its ceaseless round.

Spirits below, I would rather even your terror of the unknown. Rather that, than the knowledge of my daughter's betrayal — the wolves she has set upon me, to pursue me in my dreams. The wolves, which are her hunger. The hunger, which has already devoured my youth and now seeks yet more. As if anything's left. Am I to be naught but food for my daughter's burgeoning life? A final meal, a mother reduced to nothing more than sustenance?

Ah, Silverfox, are you every daughter? Am I every mother? There have been no rituals severing our lives — we have forgotten the meaning behind the Rhivi ways, the true reasons for those rituals. I ever yield. And you suckle in ceaseless demand. And so we are trapped, pulled deeper and deeper, you and I.

To carry a child is to age in one's bones. To weary one's blood. To stretch skin and flesh. Birthing splits a woman in two, the division a thing of raw agony. Splitting young from old. And the child needs, and the mother gives.

I have never weaned you, Silverfox. Indeed, you have never left my womb. You, daughter, draw far more than just milk.

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