Pellegrini, Ann and Jasbir Puar. 2009. ‘Affect’. Social Text
27(3): 35–38.Perez, Carlota. 2009. ‘The Double Bubble at the Turn of the Century: Technological Roots and Structural Implications’. Cambridge Journal of Economics
22: 779–805.Pfeil, Fred. 1988. ‘Postmodernism as a “Structure of Feeling” ’. In Marxism and the Interpretation of Culture
, edited by Cary Nelson and Lawrence Grossberg, 381–403. Chicago: University of Illinois Press.Pine, B. Joseph and James H. Gilmore. 2011 [1999]. The Experience Economy: Work Is Theatre and Every Business Is a Stage
. Updated edition. Boston: Harvard Business School.Place, Vanessa and Robert Fitterman. 2009. Notes on Conceptualisms
. Ugly Duckling Presse.Plascencia, Salvador. 2005. The People of Paper
. New York: Mariner Books.Poe, Edgar Allan. 1998 [1844]. ‘The Purloined Letter’. In Selected Tales
, edited by David Van Leer, 249–265. Oxford: Oxford University Press.Poecke, Niels van. 2014. ‘De ballast van vernieuwing: Over metamodernisme in de popmuziek’. Gonzo Circus
122. Accessed 29 July 2014. http://www. gonzocircus.com/essay-de-ballast-van-vernieuwing-over-metamoder-nisme-in-de-popmuziekPollock, Griselda and Fred Orton. 1978. Vincent Van Gogh: Artist of His Time
. Phaidon.Poniewozik, James. 2011. ‘Louie Watch: Self, Love’. Time
. 12 August 2011. Accessed 1 November 2016. http://entertainment.time.com/2011/08/12/ louie-watchself-love/Pressman, Jessica. 2014. Digital Modernism: Making It New in New Media
. Oxford; New York: Oxford University Press.Purdy, Jedediah. 1999. For Common Things: Irony, Trust, and Commitment in America Today
. New York: Knopf.Pye, Douglas. 2007. ‘Movies and Tone’. In Close-Up 02
, edited by John Gibbs and Douglas Pye, 1–80. London: Wallяower Press.Rak, Julie. 2013. Boom! Manufacturing Memoir for the Popular Market
. Waterloo, ON: Wilfrid Laurier University Press.‘R_byass’. 2001. ‘The Book I Wish I’d Written’. Amazon.co.uk
. 22 August 2001. Accessed 6 September 2016. http://www.amazon.co.uk/review/ RYQWNXQYGB0ASRapoport, David C. 2002. ‘The Four Waves of Rebel Terror and September 11’. Anthropoetics
8(1). Accessed 28 October 2016. http://www.anthropo-etics.ucla.edu/ap0801/terror.htmRhee, Michelle Young-Mee. 2011. “Greater Lore”: Metaёction in Chang-rae Lee’s Native Speaker
’. MELUS 36(1): 157–176.Roberts, David. 2010. ‘Post-Truth Politics’. Grist
. Accessed 1 November 2016. http://grist.org/article/2010-03-30-post-truth-politics/Roiland, Josh. 2012. ‘Getting Away from It All: The Literary Journalism of David Foster Wallace and Nietzsche’s Concept of Oblivion’. In The Legacy of David Foster Wallace
, edited by Samuel Cohen and Lee Konstantinou, 25–52. Iowa City, IA: University of Iowa Press.Rombes, Nicholas. 2005. ‘Irony and Sincerity’. In New Punk Cinema,
edited by Nicholas Rombes, 72–85. Edinburgh: Edinburgh University Press.Rosenberg, Alyssa. 2012. ‘How “The Wire” Inяuenced “Parks and Recreation”’. ThinkProgress
. http://thinkprogress.org/alyssa/2012/04/26/ 471789/the-wire-parks-and-recreation/Rosenblatt, Roger. 2001. ‘The Age of Irony Comes to an End’. Time
. 24 September 2001. Accessed 8 September 2016. http://content.time.com/ time/magazine/article/0,9171,1000893,00.htmlRoth, Marco. 2009. ‘Rise of the Neuronovel’. n+1
. 14 September 2009. Accessed 24 June 2016. https://nplusonemag.com/issue-8/essays/the-rise-of-the-neuronovelRudnick, Paul and Kurt Andersen. 1989. ‘The Irony Epidemic’. Spy
(Mar): 92–98.Rustad, Gry. 2012. ‘Metamodernism, Quirky and Feminism’. Notes on Metamodern-ism
. 29 February 2012. Accessed 6 September 2016. http://www.metamod-ernism.com/2012/02/29/metamodernism-quirky-and-feminism/#_edn3Sadoux, Marion. 2002. ‘Christine Angot’s Autoёctions
: Literature and/or Reality?’ In Women’s Writing in Contemporary France: New Writers, New Literatures in the 1990s, edited by Gill Rye and Michael Worton, 171–81. Manchester; New York: Manchester University Press.Saldнvar, Ramуn. 2011. ‘Historical Fantasy, Speculative Realism, and Postrace Aesthetics in Contemporary American Fiction’. ALH
23(3): 574–599.Saunders, Max. 2010. Self Impression: Life-Writing, Autobiograёction, and the Forms of Modern Literature
. Oxford: Oxford University Press.