Perhaps this, then, is my talent. The indomitability that I inherited from the Renaldo princesses before me.
Struck by this realization, I wrote a hasty note to Lilly:
I waited breathlessly for her response. Aldiough it was not clear to me what I was going to do if she replied in the positive. Because what kind of talent is being indomitable? I mean, you can't get paid for it, the way you can if your talent is playing
the violin or songwriting or producing cable access television programmes.
Still, it would be good to know I'd figured out my talent on my own. You know, as far as climbing the Jungian tree to self-actualization went.
But Lilly's response was way disappointing:
Sighing, I realized I had no choice but to write back,
Wednesday, January 20,
Sixth Period, Third-floor Stairwell
Emergency meeting of the followers of the Jane Eyre technique of boyfriend-handling. We are, of course, in peril of
discovery at any moment as we are skipping French in order to gather here in the stairwell leading to the roof (the door
to which is locked: Lilly says in the movie of my life, the kids got to go on the roof of their school all the time. Just another example of how art most certainly does not imitate life), so that we can lend succour to one of our sisters in suffering.
That's right. It turns out that I am not the only one for whom the semester is off to an inauspicious beginning. Not only did
Tina sprain her ankle on the ski slopes of Aspen -no, she also got a text message from Dave Farouq El-Abar on her new mobile phone in fifth period. It said, U NEVER CALLED BACK. AM TAKING JASMINE TO RANGERS GAME.
HAVE A NICE LIFE ;-)
I have never in my life seen anything so insensitive as that text message. I swear, my blood went cold as I read it.
'Sexist pig,' Lilly said, when she saw it. 'Don't even worry about it, Tina. You'll find somebody better.'
'I d-don't want someone b-better,' Tina sobbed. 'I only want D-Dave!'
It breaks my heart to see her in such pain - not just her emotional pain, either, because it was no joke trying to get up the third-floor staircase on her crutches. I have promised faithfully to sit with her while she works through her anguish (Lilly is
taking her through Elisabeth Kubler-Ross's five stages of grief: Denial - I can't believe he would do this to me; Bargaining — Maybe if I tell him I'll call him faithfully every night, he'll take me back; Anger -Jasmine is a cow who Frenches on the first
date; Depression - I'll never love another man again; Acceptance - Well, I guess he
here with Tina, instead of in French class, means I am risking possible suspension, which is the penalty for skipping class
here at Albert Einstein.
But what is more important? My disciplinary record or my friend?
Besides, Lars is keeping lookout at the bottom of the stairs. If Mr Kreblutz, the chief custodian, comes along Lars is going
to whistle the Genovian national anthem and we'll flatten ourselves against the wall by the old gym mats (which are quite
smelly, by the way, and undoubtedly a fire hazard).
Although I am deeply saddened for her, I can't help feeling that Tina's situation has taught me a valuable lesson: that the
Jane Eyre technique of boyfriend-handling is not necessarily the most reliable method by which to hang on to your
boyfriend. I mean, the whole reason Dave dumped Tina is because she stopped calling him.
Except that, according to Grandmere, who did manage to hang onto a husband for forty years, the quickest way to turn
a guy off is to chase after him.
And certainly Lilly, who has the longest-running relationship of any of us, does not chase after Boris. Really, if anything,
pay much more than perfunctory attention to him.
Somewhere between the two of them - Grandmere and Lilly - must lie the truth to maintaining a successful relationship
with a man. Somehow I have got to get the hang of this, because I will tell you one thing: if I ever get a message from