Graziano 2016 — Graziano F
. Miraculous Images and Votive Offerings in Mexico. Oxford: Oxford University Press, 2016.Groebner 2004 — Groebner V.
Defaced. The Visual Culture of Violence in the Late Middle Ages. New York: Zone Books, 2004.Grzçda, Walczak 2017 — Grzçda M., Walczak M
. Reconsidering the Origins of Portraiture//Journal of Art Historiography, 2017, № 17. P. 1–35.Guenée 1986 — Guenée B
. Les "Grandes Chroniques de France". Le roman aux roys, 1274–1518//Nora P. (dir.). Les lieux de mémoire. T. 2: La Nation. Paris: Gallimard, 1986. P. 189–214.Guillouët 2013 — Guillouët J.-M
. In the Masons' Yard: Insights from French Gothic Manuscript Painting//Gesta, 2013, Vol. 52, № 2. P. 181–196.Haag 2018 — Haag S
. (ed.). Bruegel: The Hand of the Master. Exhibition, Vienna, Kunsthistorisches Museum, October 2, 2018 to January 13, 2019. Vienna: KHM-Museumsverband, 2018.Hablot 2018 — Hablot L.
Revêtir l'armoirie. Les vêtements héraldiques au Moyen Âge, mythes et réalités//Espacio, Tiempo y Forma (Serie VII, Historia del Arte), 2018, Vol. 6. P. 55–87.Hahn 1986 — Hahn C
. «Joseph Will Perfect, Mary Enlighten and Jesus Save Thee»: The Holy Family as Marriage Model in the Mérode Triptych//The Art Bulletin, 1986, Vol. 68, № 1. P. 54–66.Hall 1994 — Hall E
. The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck's Double Portrait. Berkeley: University of California Press, 1994.Hand, Wolff 1986 — Hand J. O., Wolff M
. Early Netherlandish Painting. The Collections of the National Gallery of Art. Systematic Catalogue. Washington: National Gallery of Art; Cambridge University Press, 1986.Harbison 1984 — Harbison C
. Realism and Symbolism in Early Flemish Painting//The Art Bulletin, 1984, Vol. 66, № 4. P. 588–602.Harbison 1991 — Harbison C.
Jan van Eyck. The Play of Realism. London: Reaktion Books, 1991.Hayum 1989 — Hayum A
. The Isenheim Altarpiece. God's Medicine and the Painter's Vision. Princeton: Princeton University Press, 1989.Hindman 1997 — Hindman S. and al.
The Robert Lehman Collection. Vol. 4: Illuminations. New York: The Metropolitan Museum of Art, Princeton University Press, 1997.Holmes 2009 — Holmes M
. Exvotos: Materiality, Memory, and Cult//Cole M., Zorach R. (eds.). The Idol in the Age of Art: Objects, Devotions and the Early Modern World. Aldershot: Ashgate, 2009. P. 165–188.Holmes 2010 — Holmes M.
«How a Woman with a Strong Devotion to the Virgin Mary Gave Birth to a Very Black Child»: Imagining ‘Blackness' in Renaissance Florence//Fremde in der Stadt. Ordnungen, Repräsentationen und Praktiken. 13–15. Jahrhundert/Hrsg, von P. Bell, D. Suckow, G. Wolf. Frankfurt am Main: Peter Lang, 2010. P. 333–351.Holmes 2013 — Holmes M
. The Miraculous Image in Renaissance Florence. New Haven: Yale University Press, 2013.Hughes 2016 — Hughes J
. Fractured Narratives: Writing the Biography of a Votive Offering//Weinryb I. (ed.). Ex Voto: Votive Giving Across Cultures. Chicago: University of Chicago Press. P. 23–48.Hughes 2017 — Hughes J.
Votive Body Parts in Greek and Roman Religion. New York: Cambridge University Press, 2017.Hunt 2007 — Hunt I.
Illuminating the Border of French and Flemish Manuscripts, 1270–1310. New York; London: Routledge, 2007.Hyman 2003 — Hyman T.
Sienese Painting. The Art of the City-Republic (1278–1477). New York: Thames and Hudson, 2003.Ilsink 20161, II — Ilsink M. et al.
Hieronymus Bosch. Painter and Draughtsman. Catalogue raisonné. T. 1–2. New Haven: Yale University Press, 2016.Jacobs 2013 — Jacobs F. H.
Votive Panels and Popular Piety in Early Modern Italy. New York: Cambridge University Press, 2013.Jones 1989 — Jones M
. Folklore Motifs in Late Medieval Art I: Proverbial Follies and Impossibilities//Folklore, 1989, Vol. 100, № 2. P. 201–217.Joslin, Watson 2001 — Joslin M. C., Watson C. C. J.
The Egerton Genesis. Toronto: University of Toronto Press, 2001.Jung 2010 — Jung J. E
. The Tactile and the Visionary: Notes on the Place of Sculpture in the Medieval Religious Imagination//Hourihane C. (ed.). Looking Beyond: Visions, Dreams, and Insights in Medieval Art and History. Princeton: Index of Christian Art, 2010. P. 203–240.Kendrick 2011 — Kendrick K
. Making Sense of Marginalized Images in Manuscripts and Religious Architecture//Rudolph C. (ed.). A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. New York: John Wiley & Sons, 2011. P. 274–294.Kiilerich 2001 — Kiilerich B
. Savedoff, Frames, and Parergonality//The Journal of Aesthetics and Art Criticism, 2001, Vol. 59, № 3. P. 320–323.Koerner 2004 a — Koemer J. L.
Impossible Objects: Bosch's Realism//Res: Anthropology and Aesthetics, 2004, № 46. P. 73–97.Koerner 2004 b — Koerner J. I
. The Reformation of the Image. London: Reaktion Books, 2004.