На орбите Стравинского. Русский Париж и его рецепция модернизма

Schloezer 2011 – Schloezer B. Comprendre la musique: Contributions a La Nouvelle Revue franchise et a La Revue musicale (1921–1956) I ed. par T. Picard. Rennes Cedex: Presses universitaires de Rennes, 2011.

Schlogel 2012 – Schlogel K. Moscow, 1937 I trans, by R. Livingstone. Cambridge: Polity Press, 2012.

Scholl 1994 – Scholl T. From Petipa to Balanchine: Classical Revival and the Modernization of Ballet. London and New York: Routledge, 1994.

Schouvaloff 1997 – SchouvaloffA. The Art of Ballets Russes: The Serge Lifar Collection of Theater Designs, Costumes, and Painting at the Wadsworth Atheneum, Hartford, Connecticut. New Haven; London: Yale University Press, 1997.

Shanks 1927 – Shanks E. The Bolshevist Heresy. Review of “The Mind and Face of Bolshevism” by R. E Miller (Putnam) // The Saturday Review. 1927. 16 July.

Smolkin-Rothrock 2010 – Smolkin-Rothrock V. The Voices of Silence: The Death and Funeral of Alexander Blok // Petersburg/Petersburg: Novel and City, 1900–1921 I ed. by O. Matich. Madison: University of Wisconsin Press, 2010.

Souvtchinsky 1939 – Souvtchinsky P. La Notion du Temps et la Musique (Reflexions sur la typologie de la creation musicale) // La Revue musicale. 1939. Vol. 20. № 191. P. 70–80.

Souvtchinsky 1953a – Musique Russe. Etudes reunies par Pierre Souvtchinsky.– In 2 vols. Paris: Presses Universitaires de France, 1953.

Souvtchinsky 1953b – Souvtchinsky P. Introduction: Domaine de la Musique Russe // Musique Russe. Etudes reunies par Pierre Souvtchinsky. Vol. 1. Paris: Presses Universitaires de France, 1953. P. 1–26.

Souvtchinsky 1958 – Souvtchinsky P. Qui est Strawinsky? // Cahiers musicaux: Revue mensuelle des jeunesses musicales de Bruxelles. 1958. Vol. 3. № 16. P. 7–14.

Souvtchinsky 2004 – Souvtchinsky P. Un siecle de musique russe (1830–1930): Glinka, Moussorgsky, Tchaikowsky, Strawinsky et autre ecrits, Strawinsky, Berg, Messian et Boulez I ed. par E Langlois. Arles: Actes Sud – Association Pierre Souvtchinsky, 2004.

Spotts 2008 – Spotts F. The Shameful Peace: How French Artists and Intellectuals Survived the Nazi Occupation. New Haven; London: Yale University Press, 2008.

Stravinsky 1923 – Stravinsky “Not Revolutionary”. Composer of Les Noces Denies It Himself. Hates Progress; Says Music Is No Longer Servant of Ballet 11 Evening Standard. 1923. July 8.

Stravinsky 1924 – Stravinsky I. Some Ideas about my Octuor 11 The Arts. 1924. Vol. VI. № 1. January. P. 4–6.

Stravinsky 1927 – Stravinsky I. A Warning // The Dominant. 1927. December. P. 31–32.

Stravinsky 1928 – Pourquoi Ion n’aime pas ma musique: Une interview d’lgor Stravinsky 11 Journal de Geneve. 1928. 14 November.

Stravinsky 1936 – Stravinsky I. An Autobiography. New York: W. W. Norton & Company, 1936.

Stravinsky 1947 – Stravinsky I. Poetics of Music in the Form of Six Lessons / trans, by A. Knodel, I. Dahl. New York: Vintage Books, 1947.

Stravinsky 1964 – Stravinsky I. Stravinsky Proposes: A Cure For V. D. // Listen: A Music Monthly. 1964. № 5. September-October. P. 1–2.

Stravinsky 1982–1985 – Stravinsky: Selected Correspondence: In 3 vols I ed. by R. Craft. New York: Alfred A. Knopf, 1982–1985.

Stravinsky 1984 – Stravinsky I. Some Ideas about my Octuor // Music in the Western World: A History in Document I ed. by P. Weiss, R. Taruskin. New York: Schirmer Books, 1984. P. 458–459.

Stravinsky, Craft 1960 – Stravinsky!., Craft R. Memories and Commentaries. Garden City: Doubleday, 1960.

Stravinsky, Craft 1962 – Stravinsky L, Craft R. Expositions and Developments. Garden City: Doubleday, 1962.

Stravinsky, Craft 1963 – Stravinsky L, Craft R. Dialogues and a Diary. Garden City: Doubleday, 1963.

Stravinsky, Craft 1966 – Stravinsky!., Craft R. Themes and Episodes. New York: Knopf, 1966.

Stravinsky, Craft 1969 – Stravinsky I., Craft R.Retrospectives and Conclusions. New York: Knopf, 1969.