Обри Бердслей

25. The Last Will and Testament of Sarah Pitt, Somerset House, London; MDG, p. 32; King, in An Aubrey Beardsley Lecture, p. 32; Alfred Gurney to E. A. Beardsley, 14.11. [1891] (British Library, London); EW, p. 36–37; Atalanta, vol. V, no. 51, December 1891, p. 143ff.; A. W. King, ‘Our Illustrator’, The Bee, 2 November 1891, p. 21–22; MDG, p. 31–32.

Глава IV. Собственный стиль

1. Court Minutes of the Guardian Fire Life Assurance Office Co., i8gi – i8g} [MS] (Guildhall Library, London), p. 28; MDG, p. 31–32; the article is almost certainly Walter Crane’s ‘The Language of Line – Part I: Outline’, Magazine of Art, 1888, p. 145–149; MDG, p. 32.

2. W. Crane, ‘Language of Line – Part I’; Magazine of Art, 1888, p. 325 ff; p. 415ff; W. Crane, ‘The Language of Line – Part II: Design’; EW, p. 25, 26.

3. MDG, p. 37; Aymer Vallance, ‘The Furnishing and Decoration of the House’ (six parts), Art Journal, 1892; Crockford’s Clerical Directory, 1886–1888; Catholic Who’s Who (London, 1910); A. Vallance, ‘The Invention of Aubrey Beardsley’, Magazine of Art, 1898, p. 362–368; H. MacFall, Aubrey Beardsley, p. 16; A. Vallance, Magazine of Art, 1898 p. 362–363.

4. R. Ross, Aubrey Beardsley, p. 15–17; MDG, p. 20; R. Ross, op. tit., p. 16; Iconography, items 32, 34; R. Ross, op. tit., p. 17; John Adlard, Stenbock, Yeats and the Nineties (London, 1969); Derek Hudson, Norman O’Neill, A Life of Music (London, 1945), p. 18, 21.

5. A.J.L. Busst, ‘The Image of the Androgyne in the Nineteenth Century’ in I. Fletcher (ed.), Romantic Mythologies (London, 1967); MDG, p. 282; ALS, Julian Sampson to R. A. Walker, 30.10.1935 (Princeton); Charles Baudelaire, ‘The Painter of Modern Life’, My Heart Laid Bare, and other prose writings [trans. Norman Cameron] (London, 1950), p. 21–73; Helen Thorp [nee Syrett] to Elspeth Grahame, 1933, quoted in Alison Prince, Kenneth Grahame (London, 1994), p. 109; M. Easton, Aubrey and the Dying Lady, p. 218; A. Vallance, Magazine of Art, 1898, p. 363.

6. Fiona MacCarthy, William Morris (London, 1994); A. Vallance, Magazine of Art, 1898, p. 363; Iconography, item 40.

7. Elizabeth Aslin, The Aesthetic Movement (London, 1981); Westminster Budget, 25.3.1898, p. 10; ‘The Sound of Architecture’, in Anne Hammond (ed.), Frederick H. Evans – Selected Texts and a Bibliography, p. 11–13.

8. MDG, p. 33–35, 37–38, 43–45; ‘Mr Aubrey Beardsley’, Leslie’s Weekly, 8.1894, p. 90; MDG, p. 33–35; R. Ross, op. cit., p. 44.

9. MDG, p. 37; B. Brophy, Beardsley and His World (London, 1976), p. 55; A. Vallance, Magazine of Art, 1898, p. 367.

10. Court Minutes of the Guardian Fire and Life Assurance Office; MDG, p. 33; Art Journal, 1892, p. 243ff; 274ff; H. MacFall, op. cit., p. 20; D.S. MacColl, B. Misc., p. 22; MDG, p. 34, 37; Iconography, item 36; MDG, p. 34, 37.

11. MDG, p. 44; Catherine Slessor, The Art of Aubrey Beardsley (New Jersey, 1989), p. 23; UW, p. 10, 11 [misdated as 1894]; EW, p. 22, 24; MDG, p. 44.

12. James Thorpe, English Illustrators of the Nineties (London, 1935); MDG, p. 44; A. S. Hartrick, A Painter’s Pilgrimage (Cambridge, 1939), p. 96–97; Elizabeth Robins Pennell, Nights (London, 1916), p. 138–139; MDG, p. 34.

13. J. M. Dent, Memoirs (London, 1928), p. 68; this account is derived from: H. MacFall, op. cit., p. 25–26; J. M. Dent, op. cit., p. 68–69; and C. Lewis Hind, ‘Introduction’ to UW, p. XV–XVI; Brian Reade, Beardsley (London, 1967), p. 313; J. M. Dent, op. cit., p. 69; ALS, AB to J. M. Dent, 3.10.1892 (Private Collection).

14. R. Ross, op. cit., p. 23; MDG, p. 38; Court Minutes of the Guardian Fire Life Assurance Office 1891–181) 5, p. 118; MDG, p. 38; H. MacFall, op. cit., p. 26, 28–29; AB’s copy of Anton Springer, Albrecht Duhrer (Berlin, 1892), inscribed ‘A. Beardsley, 1892’ (Princeton); cf. MD Book I, chapters vi, vii, xiv; A. Vallance, ‘Aubrey Beardsley’ in R. A. Walker (ed.), Morte Darthur Portfolio (London, 1927), p. 12; Walter Pater, ‘Pico della Mirandola’, in Studies in the History of the Renaissance (London, 1873).