Читаем От «Акиры» до «Ходячего замка». Как японская анимация перевернула мировой кинематограф полностью

От «Акиры» до «Ходячего замка». Как японская анимация перевернула мировой кинематограф

Tachibana, Reiko. Narrative as Counter-Memoty: A Half Century of Postwar Writing in Germany and Japan. Albany, NY: State University of New York Press, 1998.

Takada, Akinori. Animeeshon koza bunseki hohOron jOsetsu. In Pop Culture Critique 0 (1997), 19–39.

Takeuchi, Melinda. Kuniyoshi’s Minamoto Raiho and the Earth Spider: Demons and Protest in Late Tokugawa Japan. Ars Orientalis 17 (1987), 5–37.

Tanner, Ron. Mr. Atomic, Mr. Mercury and Chime Trooper: Japan’s Answer to the American Dream. In Asian Popular Culture. Под редакцией John Lent. Boulder, CO: Westview Press, 1995.

Telotte, J. P. Replications: A Robotic History of the

Science Fiction Film. Urbana and Chicago: University of Illinois Press, 1995.

Theweleit, Klaus. Male Fantasies. Minneapolis: University of Minnesota Press, 1989.

Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Ithaca, NY: Cornell University Press, 1975.

Totman, Conrad. The Green Archipelago: Forestry in Pre-Industrial Japan. Athens: Ohio University Press, 1998.

Treat, John, ed. Contemporary Japan and Popular Culture. Introduction by John Treat. Honolulu: University of Hawaii Press, 1996.

Writing Ground Zero: Japanese Literature and the Atomic Bomb. Chicago: University of Chicago Press, 1995.

Yoshimoto Banana Writes Home: The Shojo in Japanese Popular Culture. In Contemporaiy Japan and

Popular Culture. Под редакцией John Treat, Honolulu: University of Hawaii Press, 1996.

Tudor, Andrew. Monsters and Mad Scientists: A Cultural History of the Horror Movie. Oxford: Basil Blackwell, 1989.

Tulloch, John, and Henry Jenkins. Science Fiction Audiences. London: Routledge, 1995.

Turner, Victor. The Anthropology of Performance. New York: PAJ Publications, 1992.

Turner, Victor. Dramas, Fields and Metaphors: Symbolic Action in Human Society. Ithaca, NY: Cornell University Press, 1974.

Twitchell, James B. Dreadful Pleasures: An Anatomy of Modern Horror. Oxford: Oxford University Press, 1985.

Ueno, KOshi. Tenkti no shiro Raputa: eiga no yume, jitsugen to soshitsu. Eureka 29, no. 11 (1997), 158–163.

Ueno, Toshiya. Kurenai no metantsutsu anime to iu senjo/Metal Suits the Red Wars in Japanese Animation. Tokyo: Kodansha, 1998.

Uno, Kathleen S. The Death of Good Wife, Wise Mother? In Postwar Japan as History. Под редакцией Andrew Gordon. Berkeley: University of California Press, 1993.

Viswanathan, Mira. In Pursuit of the Yamamba: The Question of Female Resistance. In The Woman Hand: Gender and Theory in Japanese Women’s Writing. Под редакцией Paul Schalow and Janet Walker. Stanford: Stanford University Press, 1996.

Wells, Paul. Understanding Animation. London: Routledge, 1998. Hayao Miyazaki: Floating Worlds, Floating Signifiers. In Art and Design, Profile 53 (1997), 22–26.

Willemen, Paul. Letter to John. In Screen’s The Sexual Subject [no editor]. London: Routledge, 1992.

Williams, Linda. Hardcore: Power; Pleasure and the Frenzy of the Visible. Berkeley: University of California Press, 1989.

Wood, Robin. Papering the Cracks: Fantasy and Ideology in the Reagan Era. In Movies and Mass Culture. Под редакцией John Belton. New Brunswick, NJ: Rutgers University Press, 1996.

Yamada, Tadon. Animekai no Kein to Aberu: Miyazaki to Takahata Isao wa Fujiko Fujio datta. Pop Culture Critique 11 (1997), 37–42.

Yoda, Tomiko. A. Road Map to Millennial Japan. South Atlantic Quarterly, 99, no. 4 (Fall, 2000).

Yomota, Inuhiko. Mangaron.

Tokyo: Chikuma Shobo, 1994.

Yoshimoto, Mitsuhiro. Real Virtuality. In Global/Local. Под редакцией Rob Wilson and

Wimal Dissanayake. Durham, NC: Duke University Press, 1996.