Парфюм. История ароматов XX века

O. Henry, «Past One at Rooney’s», Strictly Business: More Stories of the Four Million, Doubleday, Page & Co., 1910.

Театральные десятые годы: 1910–1919

Adlington, Lucy, Great War Fashion: Tales from the History Wardrobe, The History Press, 2013.

Doyle, Peter, First World War Britain: 1914–1919, Shire, 2012.

Gosling, Lucinda, Great War Britain: The First World War at Home, The History Press, 2014.

Nicholson, Virginia, Among the Bohemians: Experiments in Living 1900–1939, Viking, 2002.

Nicholson, Virginia, The Great Silence, John Murray, 2010.

О внутривенных инъекциях парфюма: «Perfume Now Injected», New York Times, 1 October 1912.

О «Русском балете» как источнике вдохновения для парфюмов: Davinia Caddy, The Ballets Russes and Beyond: Music and Dance in Belle-É

poque Paris, Cambridge University Press, 2012.

О парфюмах в театре: «Inspiring an Actress to Act by Giving Her a Perfume «Jag», The Washington Herald, 23 May 1915; «Perfume Jag» Is Aid to Acting», Oakland Tribune, 16 May 1915.

NARCISSE NOIR

Jean Nathan, The House of Satan, Alfred A. Knopf, 1926.

For the judgement on Caron’s attempt to protect the intellectual property of Narcisse Noir, see: Caron Corporation v. Conde, Limited, New York Supreme Court, 213 N.Y. Supp. 785.

Репортажи из сала суда во время слушаний по делу Narcisse Noir: Patent and Trademark Review, Volume 23, 1923; The Business Law Journal, Volume 8, 1926; The Trade-mark Reporter, Volume 17, 1927.

SPECIAL № 127

О рекламе, в которой упоминаются аристократы-покровители парфюмов: La Belle Assemblée, 1 December 1812.

POINSETTIA

История девушек «Гэйети»: http://www.vam.ac.uk/users/node/9009, посещение 28 апреля 2015 г.

О новом театре «Гэйети» и его шоу: http://www.arthurlloyd.co.uk/GaietyTheatreLondon.htm, accessed 28 April 2015.

A review of Peggy at the Gaiety Theatre in 1911, The Play Pictorial, Volume XVIII, Number 107.

Olive May quote in Poinsettia advertisement, Illustrated Sporting and Dramatic News, Volume 76, 1912.

Leslie Stuart, «The Lass with the Lasso» in Peggy, 1911.

NUIT DE CHINE

О Поле Пуаре и его парфюмах: Harold Koda and Andrew Bolton, PoIret, Yale University Press, 2007; Paul PoIret, King of Fashion: The Autobiography of Paul PoIret, trans. Stephen Haden Guest, V&A Publishing, 2009.

«An Alchemist in Perfumes», Vogue, American edition, 1 August 1916.

О бале «1002-я ночь»: Aleksandr Vasil’ev, Beauty in Exile: The Artists, Models, and Nobility who Fled the Russian Revolution and Influenced the World of Fashion, Harry N. Adams, 2000.

Robert Forrest Wilson, Paris on Parade, Bobbs-Merrill, 1925.

Anne Archbald, “The Vanity Box’, Theatre Magazine, December 1922.

ESS VIOTTO

О женщинах, работавших во время Первой мировой войны: Susan R. Grayzel, Women’s Identities at War: Gender, Motherhood, and Politics in Britain and France during the First World War, University of North Carolina Press, 1999; Deborah Thom, Nice Girls and Rude Girls: Women Workers in World War I

, I.B. Tauris, 1998.

Bronnley advertisement for Ess Viotto, featured in The Sketch, Volume 90, 1915.

ENGLISH LAVENDER

The Sketch, 7 April 1915.

«The Lavender Country», The Farmer’s Magazine, July 1872.

The Sketch, 13 December 1916.

LE BOUQUET PRÉFÉRÉ DE L’IMPÉRATRICE

Обзор советских парфюмов: http://www.realussr.com/ussr/soviet-brands-the-scent-of-communism-part-1-of-2/, accessed 28 April 2015; Susan E. Reid, “Gender and the Destalinisation of Consumer

Taste in the Soviet Union Under Khrushchev’ in Emma Casey and

Lydia Martens (eds), Gender and Consumption: Domestic Cultures and the Commercialisation of Everyday Life, Ashgate, 2007.

Elena Skrjabina, After Leningrad: A Diary of Survival During World War II, Southern Illinois University Press, 1978.