Remnant Population

She could see no real damage to any of the buildings, though she did not check all of them that day. First to the center, where the essential machines had gone on as if the storm meant nothing. Perhaps it didn’t mean anything to machines. The air smelled faintly of machine oil, and more strongly of damp and mold. Ofelia turned blowers on, to circulate the air in the sewing rooms. She remembered the last big sea-storm, when the needles had rusted and they had had to polish them again. In the last light, she carried across to the center the most strongly scented of the harvest. She would not have to smell melons again tonight. That night, when a last squall shook the shutters, and bright light spiked through them, she lay in her bed and wondered why she had ever feared it. Her body felt heavy, but new, washed clean by the rain. When thunder rumbled, she felt it in her chest and belly; it shook her bones. It reminded her of Caitano. She was a wicked old woman, and she deserved to die. The old voice scolded her, scolded her naked skin and her discoveries of herself. Beautiful, the new voice said. She had no more words than that, but the visions flashed, one after another: the dark rain, the winds, the tall clouds rising to the light. She dreamed of castles and stars and the mountains she had never seen. Tomatoes and corn were gone completely; most of the beans turned pale yellow and drooped: they had drowned. Along the edge of the garden, squash vines lifted ruffled fanlike leaves, unmarred by the assault of wind and water. Ofelia pushed the welter of tomato vines back off the paths, pulled the cornstalks for the compost, and went on to check other gardens. Anything tall had gone; anything low and leafy had survived. Some fruit trees still stood; others had been uprooted.

Checking the animals meant a muddy trek into the pastures. The sheep had drifted before the first onslaught of the storm into the brushy edge between grassland and forest; she found their muddy track. She followed it, and found most of them, fleeces waterlogged, nibbling dispiritedly at the native vegetation. She drove them back to grass with a stick, wondering again why the gengineers had done nothing about sheep stupidity. Surely any animal so stupid that it would gnaw on brush it could not digest, rather than follow its own trail back to good pasture, needed some improvement. The cattle grazed nearer to town than usual, since the river had begun to flood. She would have driven them nearer yet, but they could wade in water too deep for her, and when she tried to move them, a small group fled splashing into the water where two of them lost their footing, and were swirled away downstream, lowing miserably.

Ofelia glared at the cattle. They deserved to be drowned, to be eaten by monsters, to be marooned on a sandbar with no grass. She had only tried to help them. They were too much like people, that was their problem. Run from help, run to danger. She pulled her feet out of the muck with the determination not to risk herself again for beasts so ungrateful, and splashed back into the village. The next day, more showers, mixed with hot, steamy sun. She thought of writing her feelings about the storm in the log, but she didn’t want to struggle with the words. Yet she wanted to do something; she felt restless. In the center, the bright scraps in the sewing rooms drew her. No one had bothered to decorate the fabric boxes for travel; she found drawers full of decorative braid, beads, fringes, short runs on the fabricator which had, most likely, not been approved by the supervisors. She couldn’t find what she wanted. She looked in the manual for the fabricator. She wanted rain and wind and lightning, clouds and sunlight above them. Noise. Beauty. Destruction. She pushed buttons and set gauges. The fabricator squealed, as it always did on startup, and emitted a wrinkled strand of silvery-gray, followed by crinkly purple material. Ofelia took it out of the fabricator’s bin, and laid it with the other scraps on the tables. Her fingers shifted this shape and that, this color and that, played texture against texture, and matte against glitter.