Brigid was tall for her age, surprising Mr Crome when she told him what it was. Fair-haired and freckled, she was the oldest of five, a country girl from across the hill. ‘Nothing much in the way of looks,’ Mr Crome confided in the kitchen after he’d interviewed her. Her mother he remembered well, for she had once worked in the sculleries herself, but unfortunately had married Ranahan instead of advancing in her employment, and was now – so Mr Crome passed on to Mrs O’Brien – brought low by poverty and childbirth. Ranahan was never sober.
Brigid was shy in the sculleries at first. The others glanced in when they passed, or came to look at her if they weren’t pressed. When they spoke to her she could feel a warmth coming into her face and the more she was aware of it the more it came, confusing her, sometimes making her say what she didn’t intend to say. But when a few weeks had gone by all that was easier, and by the time the dancing-master arrived in the house she didn’t find even dinnertime the ordeal it had been at first.
‘Where’s Naples, Mr Crome?’ Thomas asked in the servants’ dining-room on the day Mr Crome first talked about Italy. ‘Where’d it be placed on the map, Mr Crome?’
He was trying to catch Mr Crome out. Brigid could see Annie-Kate looking away in case she giggled, and Lily Geoghegan’s elbow nudged by the tip of John’s. Nodding and smiling between her mouthfuls, deaf to all that was said, but with flickers of ancient beauty still alive in her features, Old Mary sat at the other end of the long table at which Mr Crome presided. Beside him, Mrs O’Brien saw that he was never without mashed potato on his plate, specially mashed, for Mr Crome would not eat potatoes served otherwise. The Widow Kinawe, who came on Mondays and Thursdays for the washing and was sometimes on the back avenue when Brigid reached it in the mornings, sat next to her at the table, with Jerety from the garden on the other side, and the garden boys beside him.
‘Naples is washed by the sea,’ Mr Crome said.
‘I’d say I heard a river mentioned, Mr Crome. It wouldn’t be a river it’s washed by?’
‘What you heard, boy, was the River Danube. Nowhere near.’ And Mr Crome traced the course of that great river, taking a chance here and there in his version of its itinerary. It was a river that gave its name to a waltz, which would be why Thomas heard it mentioned.
‘Well, that beats Banagher!’ Mrs O’Brien said.
Mrs O’Brien often said that. In the dining-room next to the kitchen the talk was usually of happenings in the house, of arrivals and departures, news received, announcements made, anticipations: Mrs O’Brien’s expression of wonderment was regularly called upon. John and Thomas, or the two bedroom maids, or Mr Crome himself, brought from the upper rooms the harrowings left behind after drawing-room conversation or dining-room exchanges, or chatter anywhere at all. ‘Harrowings’ was Mrs O’Brien’s word, servitude’s share of the household’s chatter.
It was winter when Brigid began in the sculleries and when the dancing-master came to the house. Every evening she would return home across the hill in the dark, but after the first few times she knew the way well, keeping to the stony track, grateful when there was moonlight. She took with her, once in four weeks, the small wage Mr Crome paid her, not expecting more until she was trained in the work. When it rained she managed as best she could, drying her clothes in the hearth when she got home, the fire kept up for that purpose. When it rained in the mornings she could feel the dampness pressed on her all day.
The servants were what Brigid knew of Skenakilla House. She heard about the Master and Mrs Everard and the family, about Miss Turpin and Miss Roche, and the grandeur of the furniture and the rooms. She imagined them, but she had not ever seen them. The reality of the servants when they sat down together at dinnertime she brought home across Skenakilla Hill: long-faced Thomas, stout John, Old Mary starting conversations that nobody kept going, Lily Geoghegan and Annie-Kate giggling into their food, the lugubriousness of Mr Crome, Mrs O’Brien flushed and flurried when she was busy. She told of the disappointments that marked the widowhood of the Widow Kinawe, of Jerety wordless at the dinner table, his garden boys silent also.
‘Ah, he’s no size at all. Thin as a knife-blade,’ was the hearsay that Brigid took across Skenakilla Hill when the dancing-master arrived. ‘Black hair, like Italians have. A shine to it.’
At one and the same time he played the piano and taught the steps, Mr Crome said, and recalled another dancing-master, a local man from the town, who had brought a woman to play the piano and a fiddler to go with her. Buckley that man was called, coming out to the house every morning in his own little cart, with his retinue.
‘Though for all that,’ Mr Crome said, ‘I doubt he had the style of the Italian man. I doubt Buckley had the bearing.’