Every third weekend or so Angela came, and also offered a tour of what was being achieved, but Mollie continued to decline this, making it seem no more than a whim of old age that she did so. Tom came to the drawing-room after his day’s work, to sit with her over a seven o’clock drink, and when his children asked if their grandmother had died too, they were brought to the drawing-room to see for themselves that this was not so.
The pictures that were crowded on the drawing-room walls were of family ancestors – not Mollie’s own but often seeming now as if they were – and of horses and dogs, of the house itself before the creeper had grown, square and gaunt. Among the oil paintings there were a few water-colours: of the Bluebell Walk, the avenue in autumn, the garden. There were photographs too, of Angela and Tom and Eoghan, as babies and as children, of Mollie and James after their marriage, of similar occasions before this generation’s time. The drawing-room was dark even at the height of summer; only at night, with all the lights on, did its record of places and people emerge from the shadowed walls. Rosewood and mahogany were identified then, bookcases yielded the titles of their books. Candlesticks in which candles were no longer lit, snuff-boxes that had become receptacles for pins were given back something of their due.
In this room Mollie had been in awe of James’s father and of his mother, had thought they didn’t take to her, had wondered if they considered the levity of her nature an unsuitable quality in a wife. The prie-dieu – still between the two long windows – had seemed too solemn and holy for a drawing-room, the reproduction of a Mantegna
In the drawing-room she closed imagination down, for it was treacherous and without her say-so would take her into the hostile territory. ‘Oh, ma’am, you should see it!’ Kitty Broderick came specially to tell her, and called all that there was to see a miracle. Ten years it would have taken once, Kealy said. Less than eighteen months it had taken now.
One day Mollie drew the curtains on the daylight and did not ever draw them back again. Her meals were brought to the drawing-room when she hinted that she would like that, and when she said that the stairs were getting a bit much her sons dismantled her bed and it was made up beside the prie-dieu. Father Thomas said Mass in the dimly lit room on Saturday evenings and sometimes the family came, Angela if she happened to be in the house, Loretta and the children. Kitty Broderick and Kealy came too, Mass at that time of day being convenient for them.
Tom was disconsolate about the turn of events, but Angela said their mother was as bright as a bee. She said allowances had to be made for ageing’s weariness, for a widow’s continuing sorrow, that being reclusive was really hardly strange.
Eoghan protested. ‘What you’re doing’s not good, Mamma,’ he chided.
‘Ah now, Eoghan, ah now.’
‘We don’t want you to be against us.’
She shook her head. She said she was too old to be against people. And he apologized again.
‘We had to, you know.’
‘Of course you had to. Of course, Eoghan.’
The ersatz landscape took on a character of its own – of stumpy hillocks that broke the blank uniformity, long fairways, sandy bunkers, a marsh created to catch the unwary, flat green squares and little flags.