Connie watched the furniture being unloaded. The men lifted it from the yellow removal van, each piece familiar to her from days spent in the bungalow at Fara Bridge. Space had been made, some of the existing furniture moved out, to be stored in one of the outhouses.
Melissa wasn’t there. She was helping her mother to rearrange in the half-empty rooms at Fara Bridge the furniture that remained, which would have to be sold when the bungalow was because there wasn’t room for it at the farm. There had been a notice up all summer announcing the sale of the bungalow, but no one had made an offer yet. ‘Every penny’ll go into the farm,’ Connie had heard Teresa saying.
Nat, whom Teresa had driven over earlier, watched with Connie in the hall. He was silent this morning, as he often was, his thin arms wrapped tightly around his body in a way that suggested he suffered from the cold, although the day was warm. Now and again he glanced at Connie, as if expecting her to say something about what was happening, but Connie didn’t.
All morning it took. Mrs O’Daly brought the men tea and later, when they finished, Connie’s father gave them a drink in the kitchen: small glasses of whiskey, except for the man who was the driver, who was given what remained in the bottle to take away with him.
‘That’s a lovely piece of delft,’ Mrs O’Daly commented in the hall, referring to a blue-and-white soup tureen that the men had placed on the shelf of the hallstand. Having finished her morning’s work, she had gone from room to room, inspecting the furniture that had come, and the glass and china in the hall. ‘Isn’t that really lovely!’ she exclaimed again about the soup tureen.
It was cracked, Connie saw, a long crack in the lid. It used to be on the sideboard of the dining-room in the bungalow. She’d never much noticed it then, but in the hall it seemed obtrusive.
Melissa was pretty, tall and slender, with long fair hair and greenish eyes. She liked jokes, and was clever although she didn’t want to be and often pretended she wasn’t.
‘Time to measure the maggot,’ she said later that same day. Her contention was that her brother had ceased to grow and would grow no more. She and Connie regularly made him stand against the door jamb of Connie’s bedroom in the hope of finding an increase in his modest stature.
But Connie shook her head when this was again suggested. She was reading
‘Poor little maggot,’ Melissa said. ‘Poor little maggot, Connie. You’ve gone and upset it.’
‘You shouldn’t call your brother a maggot.’
‘Hey!’ Outraged, Melissa stared disbelievingly at Connie’s calm features. ‘Hey, come on!’
Connie turned down the corner of a page and began to walk away.
‘It’s only a blooming word,’ Melissa ran after her to protest. ‘He doesn’t mind.’
‘This isn’t your house,’ Connie said.
The day Connie’s mother came back from the hospice Miss Mortimer had pinned up pictures of flowers. Miss Mortimer painted her pictures herself; before the flowers there’d been clowns. ‘Foxglove,’ Connie had said when Miss Mortimer asked.
Going home on the river path, she’d been thinking of that, of the four new pictures on the schoolroom wall, of Miss Mortimer saying that soon there wouldn’t be a cowslip left anywhere. The schoolroom stayed on in her mind nearly always when she was going home, the writing on the blackboard, the tattered carpet, the boards showing all around it, the table they sat at, Miss Mortimer too. The rectory itself stayed in her mind, the two flights of stairs, the white hall door, three steps, the gravel.
Her father didn’t wave when she saw him coming towards her. It was drizzling and she thought that was maybe why he was coming to meet her. But often in winter it rained and he didn’t; it was her mother who used to. ‘Hullo, Connie,’ he said, and she knew then that her mother had come back from the hospice, as she had said she would.
He took her hand, not telling her because she knew. She didn’t cry. She wanted to ask in case it was different from what she guessed, but she didn’t because she didn’t want to hear if it was. ‘It’s all right,’ her father said. He went with her to the room that had become her mother’s, overlooking the garden. She touched her mother’s hand and he lifted her up so that she could kiss her cheek, as often he’d done before. Mr Crozier was standing by the windows in the drawing-room when they went downstairs again. She hadn’t known he was there. Then the O’Dalys came.
‘You stay here with me,’ Mrs O’Daly said in the kitchen. ‘I’ll hear you your reading.’ But it wasn’t reading on a Tuesday, another verse to learn instead, and six sentences to write. ‘You going to write them then?’ Mrs O’Daly asked. ‘You going to think them up?’