Shadows of Forgotten Ancestors

The female blue heron hears the love screech of the male. There may be several males calling at once—to the wind, for all they know. She picks her heart’s desire and settles on a branch nearby. The male immediately begins to court her. The moment she indicates interest and approaches him, though, he changes his mind, becomes unpleasant, shoos her away, or even attacks her As soon as the discouraged female flies off, he screeches after her—“frantically,” according to Nikko Tinbergen, the pioneering chronicler of blue heron life. If she gives him another chance and flies back, he may very well attack her again. Gradually, though, should the female’s patience last that long, the fickle male’s grumpiness subsides and he may actually be ready to mate. He is conflicted and ambivalent. Sex and aggression are mixed up in his mind, and the confusion is so profound that, if not for the patience of the female, this species might fail to reproduce itself. If ever there was an avian candidate for psychotherapy, the male blue heron is our nominee. But a similar confusion in the minds especially of males holds for many species, including reptiles, birds, and mammals. Some of the brain’s neural circuitry for aggression seems dangerously cheek by jowl with the neural circuitry for sex. The resulting behavior is strangely familiar. But of course humans are not herons.

Often you can see the ambivalence, the tension between inhibiting and disinhibiting the aggressive machinery in the animal’s behavior. It is literally “of two minds” A fighting cockerel, whose pecks and spurs are deadly, may in the midst of a confrontation turn aside and peck at a pebble on the ground, which after a moment it drops. In human as in animal behavior this is called “displacement.” The aggressive feelings are transferred or displaced to someone or something else, so the passions can be discharged without causing real injury. The cockerel is not angry at the pebble, but the pebble is a handy as well as a safer target.

Some male tropical fish use their vivid coloration to keep other males away, that is, to protect territories and females. The females are, however, similarly decorated. During courtship the female, if attracted to the male, dispenses with her usual indications of submissiveness or readiness for escape and signals her amorous intent by a display to the male—a display, however, which is very similar to the male’s own aggressive posture. In some species, the male becomes enraged (and probably a little confused); he responds by displaying his coloration broadside to her, beating his tail fearsomely, and charging her. But, as noted in a famous study by Konrad Lorenz, he does not actually attack her. (If he did, he would leave fewer offspring.) Instead, narrowly missing the female, he races on and attacks someone else, usually the male in charge of the next territory, who may have been minding his own business, browsing in the algae. Eventually things settle down. Our protagonist no longer attacks his neighbor or charges the female. The species continues. Here, instead of displacing aggression away from a formidable enemy to an inoffensive target, the displacement goes the other way around. This sort of redirection is widespread. Again, gestures, postures, and displays about sex are very close to those about violence. The two can get confused.

One wolf will greet another by placing its mouth around the other’s muzzle. Many other mammals do likewise. Those taming wild animals may be startled when they are at the receiving end of such a greeting. The wolf stands on its hind legs, places its forelegs on the scientist’s shoulders, and places its jaws around the scientist’s head. This is just the wolf’s way of being friendly. If you’re an animal who doesn’t know how to talk, a very clear signal is communicated: “See my teeth? Feel them? I could hurt you, I really could. But I won’t. I like you.” Once more, a very narrow line separates affection from aggression.

Chimpanzees engaged in what humans call horseplay put on a characteristic “playface” to show that their combat gymnastics are meant only as a game. Courtship displays in gulls have been described as “fear and hostility, or attack and fleeing tendencies, expressed … in a manner that denies them.”¹¹

In cranes there’s an “appeasement ceremony” in which the male spreads his wings, exaggerates his size, raises his beak … and then, still in a threat posture, turns himself aside—presenting a vulnerable and very visibly marked part of his anatomy, perhaps the side or back of his head. The pantomime may be repeated several times and incorporate an attack on a piece of wood or something else handy. The message being communicated is clear. “I am big and threatening, but not toward you—toward the other, the other, the other.”¹²