Тайная жизнь цвета

Pitman, J.,On Blondes: From Aphrodite to Madonna: Why Blondes have More Fun (London: Bloomsbury 2004).

Poos, L. R.,A Rural Society After the Black Death: Essex 1350–1525 (Cambridge University Press 1991).

Prance, Sir G. and M. Nesbitt (eds.),The Cultural History of Plants (London: Routledge, 2005).

Prestwich, P. E., ‘Temperance in France: The Curious Case of Absinth [sic]’ в: Historical Reflections, Vol. 6, No. 2 (Winter 1979) с. 301–319.

Profi, S., B. Perdikatsis and S. E. Filippakis ‘X-Ray Analysis of Greek Bronze Age Pigments from Thea’, в: Studies in Conservation, Vol. 22 No. 3 (Aug. 1977), с. 107–115.

Pryor, E. G., ‘The Great Plague of Hong Kong’ в: Journal of the Royal Asiatic Society Hong Kong Branch

, Vol. 15 (1975), с. 61–70.

Q

Quito, A., ‘Pantone: How the World Authority on Colour Became a Pop Culture Icon’, in Quartz (2 Nov. 2015).

R

Ramsay, G. D., ‘The Distribution of the Cloth Industry in 1561–1562’, в: English Historical Review, Vol. 57, No. 227 (July 1942) с. 361–369.

Raven, A., ‘The Development of Naval Camouflage 1914–1945’, Part III.

Ravilious, K., ‘Cleopatra’s Eye Makeup Warded off Infections?’, National Geographic News (15 Jan. 2010).

Rees, G. O.,

Письмо в The Times (16 June 1877).

Regier, T. and P. Kay, ‘Language, Thought, and Colour: Whorf was Half Right’ в: Trends in Cognitive Sciences, Vol. 13 No. 10 (Oct. 2009), с. 439–446.

Reutersva¨rd, O., ‘The «Violettomania» of the Impressionists’, в: Journal of Aesthetics and Art Criticism, Vol. 9, No. 2 (Dec. 1950), с. 106–110.

Richter, E. L. and H. Ha¨rlin, ‘A Nineteenth Century Collection of Pigment and Painting Materials’, в: Studies in Conservation, Vol. 19 No. 2 (May 1974), с. 76–92.

Rijksmuseum, ‘William of Orange (1533–1584) Father of the Nation’.

Roberson, D., J. Davidoff, I. R. L. Davies and L. R. Shapiro, ‘Colour Categories and Category Acquisition in Himba and English’, в: N. Pitchford and C. P. Bingham (eds.), Progress in Colour Studies: Psychological Aspects (Amsterdam: John Benjamins Publishing, 2006).

Rose, M., ‘«Look, Daddy, Oxen!»: The Cave Art of Altamira’, в: Archaeology

, Vol. 53, No. 3 (May/June 2000), с. 68–69.

Rousseau, T., ‘The Stylistic Detection of Forgeries’, в: Metropolitan Museum of Art Bulletin Vol. 27, No. 6 (Feb. 1968), с. 247–52.

Royal Botanic Gardens, Kew, ‘Indian Yellow’ в: Bulletin of Miscellaneous Information, Vol. 1890 No. 39 (1890), с. 45–50.

Ruskin, J.,The Two Paths: Being Lectures on Art and its Application to Decoration and Manufacture Delivered in 1858–1859 (New York: John Wiley & Son, 1869).

Ruskin, J.,Selected Writings, ed. D. Birch (ed.) (Oxford University Press, 2009).

Russo, C., ‘Can Elephants Survive a Legal Ivory Trade? Debate is Shifting Against It’ в: National Geographic (30 Aug. 2014).

Ryzik, M., ‘The Guerrilla Girls, After 3 Decades Still Rattling Art World Cages’, в: New York Times

(5 Aug. 2015).

S

Sachsman, D. B. and D. W. Bulla (eds.) Sensationalism: Murder, Mayhem, Mudslinging Scandals and Disasters in 19th-Century Reporting (New Brunswick, NJ: Transaction Publishers 2013).

Salisbury, D.,Elephant’s Breath and London Smoke (Neustadt: Five Rivers, 2009).

Sample, I., ‘Van Gogh Doomed his Sunflowers by Adding White Pigments to Yellow Paint’ в: Guardian (14 Feb. 2011).

Samu, M., ‘Impressionism: Art and Modernity’ Heilbrunn Timeline of Art History (Oct. 2004).

Sa´nchez, M. S., ‘Sword and Wimple: Isabel Clara Eugenia and Power’, в: A. J. Cruz and M. Suzuki (eds.), The Rule of Women in Early Modern Europe (Champaign, IL: University of Illinois Press 2009), с. 64–79.

Savage, J., ‘A Design for Life’ в: Guardian (21 Feb. 2009).