The Dark Tower

Ah, well, that’s Susannah’s tale to tell, and we will listen as she tells it to the man she called dinh when there was a ka-tet for him to guide. And here is Susannah herself, sitting where we saw her once before, in front of the Gin-Puppy Saloon. Parked at the hitching rail is her chrome steed, which Eddie dubbed Suzie’s Cruisin Trike. She’s cold and hasn’t so much as a sweater to pull close around her, but her heart tells her that her wait is almost over. And how she hopes her heart is right, for this is a haunted place. To Susannah, the whine of the wind sounds too much like the bewildered cries of the children who were brought here to have their bodies roont and their minds murdered.

Beside the rusty Quonset hut up the street (the Arc 16 Experimental Station, do ya not recall it) are the gray cyborg horses. A few more have fallen over since the last time we visited; a few more click their heads restlessly back and forth, as if trying to see the riders who will come and untether them. But that will never happen, for the Breakers have been set free to wander and there’s no more need of children to feed their talented heads.

And now, look you! At last comes what the lady has waited for all this long day, and the day before, and the day before that, when Ted Brautigan, Dinky Earnshaw, and a few others (not Sheemie, he’s gone into the clearing at the end of the path, say sorry) bade her goodbye. The door of the Dogan opens, and a man comes out. The first thing she sees is that his limp is gone. Next she notices his new bluejeans and shirt. Nifty duds, but he’s otherwise as ill-prepared for this cold weather as she is. In his arms the newcomer holds a furry animal with its ears cocked. That much is well, but the boy who should be holding the animal is absent. No boy, and her heart fills with sorrow. Not surprise, however, because she has known, just as yonder man (yonder chary man) would have known had she been the one to pass from the path.

She slips down from her seat on her hands and the stumps of her legs; she hoists herself off the boardwalk and into the street. There she raises a hand and waves it over her head. “Roland!” she cries. “Hey, gunslinger! I’m over here!”

He sees her and waves back. Then he bends and puts down the animal. Oy races toward her hellbent for election, head down, ears flat against his skull, running with the speed and low-slung, leaping grace of a weasel on a crust of snow. While he’s still seven feet away from her (seven at least), he jumps into the air, his shadow flying fleetly over the packed dirt of the street. She grabs him like a deep receiver hauling in a Hail Mary pass. The force of his forward motion knocks the breath from her and bowls her over in a puff of dust, but the first breath she’s able to take in goes back out as laughter. She’s still laughing as he stands with his stubby front legs on her chest and his stubby rear ones on her belly, ears up, squiggly tail wagging, licking her cheeks, her nose, her eyes.

“Let up on it!” she cries. “Let up on it, honey, ’fore you kill me!”

She hears this, so lightly meant, and her laughter stops. Oy steps off her, sits, tilts his snout at the empty blue socket of the sky, and lets loose a single long howl that tells her everything she would need to know, had she not known already. For Oy has more eloquent ways of speaking than his few words.

She sits up, slapping puffs of dust out of her shirt, and a shadow falls over her. She looks up but at first cannot see Roland’s face. His head is directly in front of the sun, and it makes a fierce corona around him. His features are lost in blackness.

But he’s holding out his hands.

Part of her doesn’t want to take them, and do ya not kennit? Part of her would end it here and send him into the Badlands alone. No matter what Eddie wanted. No matter what Jake undoubtedly wanted, too. This dark shape with the sun blazing around its head has dragged her out of a mostly comfortable life (oh yes, she had her ghosts — and at least one mean-hearted demon, as well — but which of us don’t?). He has introduced her first to love, then to pain, then to horror and loss. The deal’s run pretty much downhill, in other words. It is his balefully talented hand that has authored her sorrow, this dusty knight-errant who has come walking out of the old world in his old boots and with an old death-engine on each hip. These are melodramatic thoughts, purple images, and the old Odetta, patron of The Hungry i and all-around cool kitty, would no doubt have laughed at them. But she has changed, he has changed her, and she reckons that if anyone is entitled to melodramatic thoughts and purple images, it is Susannah, daughter of Dan.