Читаем The Devil's Dictionary полностью

FROG, n. A reptile with edible legs. The first mention of frogs in profane literature is in Homer’s narrative of the war between them and the mice. Skeptical persons have doubted Homer’s authorship of the work, but the learned, ingenious and industrious Dr. Schliemann has set the question forever at rest by uncovering the bones of the slain frogs. One of the forms of moral suasion by which Pharaoh was besought to favor the Israelities was a plague of frogs, but Pharaoh, who liked them fricasees, remarked, with truly oriental stoicism, that he could stand it as long as the frogs and the Jews could; so the programme was changed. The frog is a diligent songster, having a good voice but no ear. The libretto of his favorite opera, as written by Aristophanes, is brief, simple and effective — “brekekex-koax”; the music is apparently by that eminent composer, Richard Wagner. Horses have a frog in each hoof — a thoughtful provision of nature, enabling them to shine in a hurdle race.

FRYING-PAN, n. One part of the penal apparatus employed in that punitive institution, a woman’s kitchen. The frying-pan was invented by Calvin, and by him used in cooking span-long infants that had died without baptism; and observing one day the horrible torment of a tramp who had incautiously pulled a fried babe from the waste-dump and devoured it, it occurred to the great divine to rob death of its terrors by introducing the frying-pan into every household in Geneva. Thence it spread to all corners of the world, and has been of invaluable assistance in the propagation of his sombre faith. The following lines (said to be from the pen of his Grace Bishop Potter) seem to imply that the usefulness of this utensil is not limited to this world; but as the consequences of its employment in this life reach over into the life to come, so also itself may be found on the other side, rewarding its devotees:


Old Nick was summoned to the skies.

Said Peter: “Your intentions

Are good, but you lack enterprise

Concerning new inventions.


“Now, broiling in an ancient plan

Of torment, but I hear it

Reported that the frying-pan

Sears best the wicked spirit.


“Go get one — fill it up with fat —

Fry sinners brown and good in’t.”

“I know a trick worth two o’ that,”

Said Nick — “I’ll cook their food in’t.”

FUNERAL, n. A pageant whereby we attest our respect for the dead by enriching the undertaker, and strengthen our grief by an expenditure that deepens our groans and doubles our tears.


The savage dies — they sacrifice a horse

To bear to happy hunting-grounds the corse.

Our friends expire — we make the money fly

In hope their souls will chase it to the sky.

Jex Wopley


FUTURE, n. That period of time in which our affairs prosper, our friends are true and our happiness is assured.

G

GALLOWS, n. A stage for the performance of miracle plays, in which the leading actor is translated to heaven. In this country the gallows is chiefly remarkable for the number of persons who escape it.


Whether on the gallows high

Or where blood flows the reddest,

The noblest place for man to die —

Is where he died the deadest.

(Old play)


GARGOYLE, n. A rain-spout projecting from the eaves of mediaeval buildings, commonly fashioned into a grotesque caricature of some personal enemy of the architect or owner of the building. This was especially the case in churches and ecclesiastical structures generally, in which the gargoyles presented a perfect rogues’ gallery of local heretics and controversialists. Sometimes when a new dean and chapter were installed the old gargoyles were removed and others substituted having a closer relation to the private animosities of the new incumbents.

GARTHER, n. An elastic band intended to keep a woman from coming out of her stockings and desolating the country.

GENEROUS, adj. Originally this word meant noble by birth and was rightly applied to a great multitude of persons. It now means noble by nature and is taking a bit of a rest.

GENEALOGY, n. An account of one’s descent from an ancestor who did not particularly care to trace his own.

GENTEEL, adj. Refined, after the fashion of a gent.


Observe with care, my son, the distinction I reveal:

A gentleman is gentle and a gent genteel.

Heed not the definitions your “Unabridged” presents,

For dictionary makers are generally gents.

G.J.


GEOGRAPHER, n. A chap who can tell you offhand the difference between the outside of the world and the inside.


Habeam, geographer of wide reknown,

Native of Abu-Keber’s ancient town,

In passing thence along the river Zam

To the adjacent village of Xelam,

Bewildered by the multitude of roads,

Got lost, lived long on migratory toads,

Then from exposure miserably died,

And grateful travelers bewailed their guide.

Henry Haukhorn


Перейти на страницу:

Похожие книги

Вор
Вор

Леонид Леонов — один из выдающихся русских писателей, действительный член Академии паук СССР, Герой Социалистического Труда, лауреат Ленинской премии. Романы «Соть», «Скутаревский», «Русский лес», «Дорога на океан» вошли в золотой фонд русской литературы. Роман «Вор» написан в 1927 году, в новой редакции Л. Леонона роман появился в 1959 году. В психологическом романе «Вор», воссоздана атмосфера нэпа, облик московской окраины 20-х годов, показан быт мещанства, уголовников, циркачей. Повествуя о судьбе бывшего красного командира Дмитрия Векшина, писатель ставит многие важные проблемы пореволюционной русской жизни.

Виктор Александрович Потиевский , Леонид Максимович Леонов , Меган Уэйлин Тернер , Михаил Васильев , Роннат , Яна Егорова

Фантастика / Проза / Классическая проза / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
The Tanners
The Tanners

"The Tanners is a contender for Funniest Book of the Year." — The Village VoiceThe Tanners, Robert Walser's amazing 1907 novel of twenty chapters, is now presented in English for the very first time, by the award-winning translator Susan Bernofsky. Three brothers and a sister comprise the Tanner family — Simon, Kaspar, Klaus, and Hedwig: their wanderings, meetings, separations, quarrels, romances, employment and lack of employment over the course of a year or two are the threads from which Walser weaves his airy, strange and brightly gorgeous fabric. "Walser's lightness is lighter than light," as Tom Whalen said in Bookforum: "buoyant up to and beyond belief, terrifyingly light."Robert Walser — admired greatly by Kafka, Musil, and Walter Benjamin — is a radiantly original author. He has been acclaimed "unforgettable, heart-rending" (J.M. Coetzee), "a bewitched genius" (Newsweek), and "a major, truly wonderful, heart-breaking writer" (Susan Sontag). Considering Walser's "perfect and serene oddity," Michael Hofmann in The London Review of Books remarked on the "Buster Keaton-like indomitably sad cheerfulness [that is] most hilariously disturbing." The Los Angeles Times called him "the dreamy confectionary snowflake of German language fiction. He also might be the single most underrated writer of the 20th century….The gait of his language is quieter than a kitten's.""A clairvoyant of the small" W. G. Sebald calls Robert Walser, one of his favorite writers in the world, in his acutely beautiful, personal, and long introduction, studded with his signature use of photographs.

Роберт Отто Вальзер

Классическая проза