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The King of Ghargaroo, who had been abroad to study the science of government, appointed one hundred of his fattest subjects as members of a parliament to make laws for the collection of revenue. Forty of these he named the Party of Opposition and had his Prime Minister carefully instruct them in their duty of opposing every royal measure. Nevertheless, the first one that was submitted passed unanimously. Greatly displeased, the King vetoed it, informing the Opposition that if they did that again they would pay for their obstinacy with their heads. The entire forty promptly disemboweled themselves.

“What shall we do now?” the King asked. “Liberal institutions cannot be maintained without a party of Opposition.”

“Splendor of the universe,” replied the Prime Minister, “it is true these dogs of darkness have no longer their credentials, but all is not lost. Leave the matter to this worm of the dust.”

So the Minister had the bodies of his Majesty’s Opposition embalmed and stuffed with straw, put back into the seats of power and nailed there. Forty votes were recorded against every bill and the nation prospered. But one day a bill imposing a tax on warts was defeated — the members of the Government party had not been nailed to their seats! This so enraged the King that the Prime Minister was put to death, the parliament was dissolved with a battery of artillery, and government of the people, by the people, for the people perished from Ghargaroo.

OPTIMISM, n. The doctrine, or belief, that everything is beautiful, including what is ugly, everything good, especially the bad, and everything right that is wrong. It is held with greatest tenacity by those most accustomed to the mischance of falling into adversity, and is most acceptably expounded with the grin that apes a smile. Being a blind faith, it is inaccessible to the light of disproof — an intellectual disorder, yielding to no treatment but death. It is hereditary, but fortunately not contagious.

OPTIMIST, n. A proponent of the doctrine that black is white.

A pessimist applied to God for relief.

“Ah, you wish me to restore your hope and cheerfulness,” said God.

“No,” replied the petitioner, “I wish you to create something that would justify them.”

“The world is all created,” said God, “but you have overlooked something — the mortality of the optimist.”

ORATORY, n. A conspiracy between speech and action to cheat the understanding. A tyranny tempered by stenography.

ORPHAN, n. A living person whom death has deprived of the power of filial ingratitude — a privation appealing with a particular eloquence to all that is sympathetic in human nature. When young the orphan is commonly sent to an asylum, where by careful cultivation of its rudimentary sense of locality it is taught to know its place. It is then instructed in the arts of dependence and servitude and eventually turned loose to prey upon the world as a bootblack or scullery maid.

ORTHODOX, n. An ox wearing the popular religious joke.

ORTHOGRAPHY, n. The science of spelling by the eye instead of the ear. Advocated with more heat than light by the outmates of every asylum for the insane. They have had to concede a few things since the time of Chaucer, but are none the less hot in defence of those to be conceded hereafter.


A spelling reformer indicted

For fudge was before the court cicted.

The judge said: “Enough —

His candle we’ll snough,

And his sepulchre shall not be whicted.”

OSTRICH, n. A large bird to which (for its sins, doubtless) nature has denied that hinder toe in which so many pious naturalists have seen a conspicuous evidence of design. The absence of a good working pair of wings is no defect, for, as has been ingeniously pointed out, the ostrich does not fly.

OTHERWISE, adv. No better.

OUTCOME, n. A particular type of disappointment. By the kind of intelligence that sees in an exception a proof of the rule the wisdom of an act is judged by the outcome, the result. This is immortal nonsense; the wisdom of an act is to be juded by the light that the doer had when he performed it.

OUTDO, v.t. To make an enemy.

OUT-OF-DOORS, n. That part of one’s environment upon which no government has been able to collect taxes. Chiefly useful to inspire poets.


I climbed to the top of a mountain one day

To see the sun setting in glory,

And I thought, as I looked at his vanishing ray,

Of a perfectly splendid story.


‘Twas about an old man and the ass he bestrode

Till the strength of the beast was o’ertested;

Then the man would carry him miles on the road

Till Neddy was pretty well rested.


The moon rising solemnly over the crest

Of the hills to the east of my station

Displayed her broad disk to the darkening west

Like a visible new creation.


And I thought of a joke (and I laughed till I cried)

Of an idle young woman who tarried

About a church-door for a look at the bride,

Although ‘twas herself that was married.


To poets all Nature is pregnant with grand

Ideas — with thought and emotion.

I pity the dunces who don’t understand

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