The Dragon Griaule

The Mallison place was among the larger shanties in Hangtown, half-a-dozen rooms, most of which had been added on over the years since Catherine had left; but its size was no evidence of wealth or status, only of a more expansive poverty. Next to the steps leading to a badly hung door was a litter of bones and mango skins and other garbage. Fruit flies hovered above a watermelon rind; a gray dog with its ribs showing slunk off around the corner, and there was a stink of fried onions and boiled greens. From inside came the squalling of a child. The shanty looked false to Catherine, an unassuming facade behind which lay a monstrous reality – the woman who had betrayed her, killed her father – and yet its drabness was sufficient to disarm her anger somewhat. But as she mounted the steps there was a thud as of something heavy falling, and a woman shouted. The voice was harsh, deeper than Catherine remembered, but she knew it must belong to Brianne, and that restored her vengeful mood. She knocked on the door with one of Tim Weedlon’s scaling hooks, and a second later it was flung open and she was confronted by an olive-skinned woman in torn gray skirts – almost the same color as the weathered boards, as if she were the quintessential product of the environment – and gray streaks in her dark brown hair. She looked Catherine up and down, her face hard with displeasure, and said, ‘What do you want?’

It was Brianne, but Brianne warped, melted, disfigured as a waxwork might be disfigured by heat. Her waist gone, features thickened, cheeks sagging into jowls. Shock washed away Catherine’s anger, and shock, too, materialized in Brianne’s face. ‘No,’ she said, giving the word an abstracted value, as if denying an inconsequential accusation; then she shouted it: ‘No!’ She slammed the door, and Catherine pounded on it, crying, ‘Damn you! Brianne!’

The child screamed, but Brianne made no reply.

Enraged, Catherine swung the hook at the door; the point sank deep into the wood, and when she tried to pull it out, one of the boards came partially loose; she pried at it, managed to rip it away, the nails coming free with a shriek of tortured metal. Through the gap she saw Brianne cowering against the rear wall of a dilapidated room, her arms around a little boy in shorts. Using the hook as a lever, she pulled loose another board, reached in and undid the latch. Brianne pushed the child behind her and grabbed a broom as Catherine stepped inside.

‘Get out of here!’ she said, holding the broom like a spear.

The gray poverty of the shanty made Catherine feel huge in her anger, too bright for the place, like a sun shining in a cave, and although her attention was fixed on Brianne, the peripheral details of the room imprinted themselves on her: the wood stove upon which a covered pot was steaming; an overturned wooden chair with a hole in the seat; cobwebs spanning the corners, rat turds along the wall; a rickety table set with cracked dishes and dust thick as fur beneath it. These things didn’t arouse her pity or mute her anger; instead, they seemed extensions of Brianne, new targets for hatred. She moved closer, and Brianne jabbed the broom at her. ‘Go away,’ she said weakly. ‘Please . . . leave us alone!’

Catherine swung the hook, snagging the twine that bound the broom straws and knocking it from Brianne’s hands. Brianne retreated to the corner where the wood stove stood, hauling the child along. She held up her hand to ward off another blow and said, ‘Don’t hurt us.’

‘Why not? Because you’ve got children, because you’ve had an unhappy life?’ Catherine spat at Brianne. ‘You killed my father!’

‘I was afraid! Key’s father . . .’

‘I don’t care,’ said Catherine coldly. ‘I don’t care why you did it. I don’t care how good your reasons were for betraying me in the first place.’

‘That’s right! You never cared about anything!’ Brianne clawed at her breast. ‘You killed my heart! You didn’t care about Glynn, you just wanted him because he wasn’t yours!’

It took Catherine a few seconds to dredge that name up from memory, to connect it with Brianne’s old lover and recall that it was her callousness and self-absorption that had set the events of the past years in motion. But although this roused her guilt, it did not abolish her anger. She couldn’t equate Brianne’s crimes with her excesses. Still, she was confused about what to do, uncomfortable now with the very concept of justice, and she wondered if she should leave, just throw down the hook and leave vengeance to whatever ordering principle governed the fates in Hangtown. Then Brianne shifted her feet, made a noise in her throat, and Catherine felt rage boiling up inside her.

‘Don’t throw that up to me,’ she said with flat menace. ‘Nothing I’ve done to you merited what you did to me. You don’t even know what you did!’

She raised the hook, and Brianne shrank back into the corner. The child twisted its head to look at Catherine, fixing her with brimming eyes, and she held back.