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For all its ease and plenty, Katerina Lvovna’s life in her father-in-law’s house was most boring. She went visiting very little, and if she did go with her husband to call on his merchant friends, that was also no joy. They were all strict people: they watched how she sat, and how she walked, and how she stood. But Katerina Lvovna had an ardent nature, and when she had lived in poverty as a young girl, she had been accustomed to simplicity and freedom, running to the river with buckets, swimming under the pier in nothing but a shift, or showering sunflower husks over the garden gate on some young fellow passing by. Here it was all different. Her father-in-law and husband got up as early as could be, had their tea at six o’clock, and went about their business, while she dilly-dallied from room to room alone. It was clean everywhere, it was quiet and empty everywhere, icon lamps shone before the icons, and nowhere in the house was there a living sound, a human voice.

Katerina Lvovna would wander and wander about the empty rooms, start yawning with boredom, and climb the stairs to her marital bedroom in the small, high mezzanine. There, too, she sat, looked at how they hung up hemp or poured out flour by the storehouse—again she would start to yawn, and she was glad of it: she would doze off for an hour or two, then wake up—again the same Russian boredom, the boredom of a merchant’s house, from which they say you could even happily hang yourself. Katerina Lvovna was not a lover of reading, and besides there were no books in their house except for the lives of the Kievan saints.1

Katerina Lvovna lived a boring life in the rich house of her father-in-law during the five years of her marriage to her unaffectionate husband; but, as often happens, no one paid the slightest attention to this boredom of hers.


II

In the sixth spring of Katerina Lvovna’s marriage, the Izmailovs’ mill dam burst. At that time, as if on purpose, a lot of work had been brought to the mill, and the breach proved enormous: water went under the lower sill, and to stop it up slapdash was impossible. Zinovy Borisych drove people to the mill from all around and sat there constantly himself; the business in town was managed by the old man alone, and Katerina Lvovna languished at home for whole days as alone as could be. At first she was still more bored without her husband, but then it came to seem even better to her: she felt freer by herself. Her heart had never really gone out to him, and without him there was at least one less commander over her.

Once Katerina Lvovna was sitting at the window on her upper floor, yawning, yawning, thinking of nothing in particular, and she finally felt ashamed to be yawning. And the weather outside was so wonderful: warm, bright, cheerful, and through the green wooden lattice of the garden various birds could be seen flitting from branch to branch in the trees.

“What in fact am I yawning for?” thought Katerina Lvovna. “I might at least get up and go for a walk in the yard or a stroll in the garden.”

Katerina Lvovna threw on an old damask jacket and went out.

Outside it was so bright and the air was so invigorating, and in the gallery by the storehouses there was such merry laughter.

“What are you so glad about?” Katerina Lvovna asked her father-in-law’s clerks.

“You see, dearest Katerina Lvovna, we’ve been weighing a live sow,” an old clerk replied.

“What sow?”

“This sow Aksinya here, who gave birth to a son, Vassily, and didn’t invite us to the christening,” a fine fellow with a handsome, impudent face framed in jet-black curls and a barely sprouting beard told her boldly and merrily.

At that moment the fat mug of the ruddy cook Aksinya peeked out of a flour tub hung on a balance beam.

“Fiends, sleek-sided devils,” the cook swore, trying to catch hold of the iron beam and climb out of the swinging tub.

“Weighs two hundred and fifty pounds before dinner, and once she’s eaten a load of hay, there won’t be weights enough,” the handsome young fellow again explained, and, overturning the tub, he dumped the cook out onto the sacking piled in the corner.

The woman, cursing playfully, began putting herself to rights.

“Well, and how much might I weigh?” Katerina Lvovna joked, and, taking hold of the ropes, she stepped onto the plank.

“A hundred and fifteen pounds,” the same handsome young Sergei said, throwing weights onto the balance. “Amazing!”

“What’s amazing?”

“That you weigh over a hundred pounds, Katerina Lvovna. I figured a man could carry you around in his arms the whole day and not get tired out, but only feel the pleasure it gave him.”

“What, you mean I’m not a human being or something? You’d get tired for sure,” Katerina Lvovna replied, blushing slightly, not used to such talk and feeling a sudden surge of desire to loosen up and speak her fill of merry and playful words.

“God, no! I’d carry you all the way to happy Araby,” Sergei replied to her remark.

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Клюшников, Виктор Петрович (1841–1892) — беллетрист. Родом из дворян Гжатского уезда. В детстве находился под влиянием дяди своего, Ивана Петровича К. (см. соотв. статью). Учился в 4-й московской гимназии, где преподаватель русского языка, поэт В. И. Красов, развил в нем вкус к литературным занятиям, и на естественном факультете московского университета. Недолго послужив в сенате, К. обратил на себя внимание напечатанным в 1864 г. в "Русском Вестнике" романом "Марево". Это — одно из наиболее резких "антинигилистических" произведений того времени. Движение 60-х гг. казалось К. полным противоречий, дрянных и низменных деяний, а его герои — честолюбцами, ищущими лишь личной славы и выгоды. Роман вызвал ряд резких отзывов, из которых особенной едкостью отличалась статья Писарева, называвшего автора "с позволения сказать г-н Клюшников". Кроме "Русского Вестника", К. сотрудничал в "Московских Ведомостях", "Литературной Библиотеке" Богушевича и "Заре" Кашпирева. В 1870 г. он был приглашен в редакторы только что основанной "Нивы". В 1876 г. он оставил "Ниву" и затеял собственный иллюстрированный журнал "Кругозор", на издании которого разорился; позже заведовал одним из отделов "Московских Ведомостей", а затем перешел в "Русский Вестник", который и редактировал до 1887 г., когда снова стал редактором "Нивы". Из беллетристических его произведений выдаются еще "Немая", "Большие корабли", "Цыгане", "Немарево", "Барышни и барыни", "Danse macabre", a также повести для юношества "Другая жизнь" и "Государь Отрок". Он же редактировал трехтомный "Всенаучный (энциклопедический) словарь", составлявший приложение к "Кругозору" (СПб., 1876 г. и сл.).Роман В.П.Клюшникова "Марево" - одно из наиболее резких противонигилистических произведений 60-х годов XIX века. Его герои - честолюбцы, ищущие лишь личной славы и выгоды. Роман вызвал ряд резких отзывов, из которых особенной едкостью отличалась статья Писарева.

Виктор Петрович Клюшников

Русская классическая проза