For atmosphere for both Alice Perrers and Katherine de Valois, it has given me an excellent excuse to revisit some of the royal palaces in London. It is a great pity that many of the manors and palaces—such as Havering-atte-Bower—associated with Alice and Edward no longer exist.
Leeds Castle is a true gem, and very redolent with Katherine’s love affair with Owen Tudor.
Now I have the lovely anticipation of visiting the palaces of John of Gaunt next year, particularly Kenilworth. What a terrible shame that the great palace of The Savoy on the banks of the Thames was destroyed in 1381 in the Peasants’ Revolt.
Music helps for atmosphere and inspiration too. I have just discovered the Mediaeval Baebes. Their take on medieval music is stunning.
This year I have discovered another source of inspiration after visiting a re-enactment of the Battle of Mortimer’s Cross. The re-enactment community was something completely new for me. I don’t think I had realised their commitment to all things authentic. I loved it.
What one piece of advice would you give to a writer wanting to start a career?
To sit down and write. It is so easy, as I know, to make excuses of lack of time, lack of ideas, lack of somewhere to sit and write. I made these excuses for years. Whether it’s longhand or by PC, it will not happen unless you accept that it’s a time-consuming, often inconvenient and lonely exercise. On the other side of the coin, it can become an all-embracing way of life, bringing amazing enjoyment and fulfilment.
But you have to make a start—and persist by working out a routine and sticking to it, even if it’s a somewhat haphazard routine.
Which book do you wish you had written?
I think it has to be Dorothy Dunnett’s
How did you feel when your first book was signed?
Astonished, I think. The timescale from starting writing, through agents and publishers, and the inevitable rejections, is so vast and success seems to be an impossibility. It is difficult to remain confident and patient. The acceptance of my first book was wonderful—and definitely worthy of a bottle of champagne with my husband. It is still a great delight to see my books on the shelves…
How do you begin writing characters based on real historical figures and do they ever surprise you as you write?
Reading to begin with—any biography of the historical character. Once I have a plan of their life—main dates and events—with overlapping plans to indicate where they interact with the other characters in the story, then I make a list of the scenes which will obviously bring some element of tension or excitement or emotion into the story. This is most important, I find. I also make a list of areas which can be omitted or given a mere passing reference, with the pace of the story in mind or its relevance to the overall novel. Sometimes events just don’t fit and it’s as important to recognise these as it is the explosively important ones. Although sometimes it surprises me—that scenes I’ve jettisoned demand to be included when I begin writing.
Characters certainly surprise me. Sometimes they resist the direction I wish them to take. Sometimes they carry conversations into directions I had no idea of. Characters develop as I write, so I have to take this into consideration and allow them to be headstrong if that is what they wish. I know I must not force a character into an action that is not in keeping with the character I have given them. If a particular action is vital to the story, then it may be that I have to tweak the character.
Do you have a favourite character in
It has to be Katherine herself. I have to admire her inherent strength of character that allowed her to grow and mature throughout the novel. At the same time, I think I fell a little in love with Owen Tudor. Who wouldn’t…?
What kind of research goes into your writing process?