Читаем The Future Is History: How Totalitarianism Reclaimed Russia полностью

A mafia state, in Magyar's definition, was different from other states ruled by one person surrounded by a small elite. In a mafia state, the small powerful group was structured just like a family. The center of the family is the patriarch, who does not govern: "he disposes—of positions, wealth, statuses, persons."25 The system works like a caricature of the Communist distribution economy. The patriarch and his family have only two goals: accumulating wealth and concentrating power. The family-like structure is strictly hierarchical, and membership in it can be obtained only through birth or adoption. In Putin's case, his inner circle consisted of men with whom he grew up in the streets and judo clubs of Leningrad, the next circle included men with whom he had worked in the KGB/FSB, and the next circle was made up of men who had worked in the St. Petersburg administration with him. Very rarely, he "adopted" someone into the family, as he did with Kholmanskikh, the head of the assembly shop, who was elevated from obscurity to a sort of third-cousin-hood. One cannot leave the family voluntarily: one can only be kicked out, disowned and disinherited. Violence and ideology, the pillars of the totalitarian state, became, in the hands of the mafia state, mere instruments.

the post-communist mafia state, in Magyar's words, is an "ideology- applying regime" (while a totalitarian regime is "ideology-driven"). A crackdown requires both force and ideology. While the instruments of force—the riot police, the interior troops, and even the street- washing machines—were within arm's reach, ready to be used, ideology was less apparently available. Up until spring 2012, Putin's ideological repertoire had consisted of the word "stability," a lament for the loss of the Soviet empire, a steady but barely articulated restoration of the Soviet aesthetic and the myth of the Great Patriotic War, and general statements about the United States and NATO, which had cheated Russia and threatened it now. All these components had been employed during the "preventive counter­revolution," when the country, and especially its youth, was called upon to battle the American-inspired orange menace, which threatened stability. Putin employed the same set of images when he first responded to the protests in December. But Dugin was now arguing that this was not enough.

At the end of December, Dugin published an article in which he predicted the fall of Putin if he continued to ignore the importance of ideas and history.26

That is, in Dugin's view, Putin's treatment of ideas and history had been so sporadic and inconsistent as to indicate that he thought them unimportant. In February, Dugin was invited to speak at the Anti-Orange Rally, a Kremlin event organized to coincide with a large protest demonstration in Moscow. This was Dugin's most mainstream appearance ever: from a stage mounted at Poklonnaya Mountain, Moscow's repository of monuments to its victories over invaders from Napoleon to Hitler, he addressed tens of thousands of people, at least some of whom had been bused there from other cities and towns:27

Dear Russian people! The global American empire strives to bring all countries of the world under its control. They intervene where they want, asking no one's permission. They come in through the fifth column, which they think will allow them to take over natural resources and rule over countries, people, and continents. They have invaded Afghanistan, Iraq, Libya. Syria and Iran are on the agenda. But their goal is Russia. We are the last obstacle on their way to building a global evil empire. Their agents at Bolotnaya Square and within the government are doing everything to weaken Russia and allow them to bring us under total external control. To resist this most serious threat, we must be united and mobilized! We must remember that we are Russian! That for thousands of years we protected our freedom and independence. We have spilled seas of blood, our own and other people's, to make Russia great. And Russia will be great! Otherwise it will not exist at all. Russia is everything! All else is nothing!

This chant was picked up by other men on the stage. They pumped their right fists in the air.

Russia is everything! All else is nothing! Glory to Russia!28

Перейти на страницу:

Похожие книги

Николай II
Николай II

«Я начал читать… Это был шок: вся чудовищная ночь 17 июля, расстрел, двухдневная возня с трупами были обстоятельно и бесстрастно изложены… Апокалипсис, записанный очевидцем! Документ не был подписан, но одна из машинописных копий была выправлена от руки. И в конце документа (также от руки) был приписан страшный адрес – место могилы, где после расстрела были тайно захоронены трупы Царской Семьи…»Уникальное художественно-историческое исследование жизни последнего русского царя основано на редких, ранее не публиковавшихся архивных документах. В книгу вошли отрывки из дневников Николая и членов его семьи, переписка царя и царицы, доклады министров и военачальников, дипломатическая почта и донесения разведки. Последние месяцы жизни царской семьи и обстоятельства ее гибели расписаны по дням, а ночь убийства – почти поминутно. Досконально прослежены судьбы участников трагедии: родственников царя, его свиты, тех, кто отдал приказ об убийстве, и непосредственных исполнителей.

А Ф Кони , Марк Ферро , Сергей Львович Фирсов , Эдвард Радзинский , Эдвард Станиславович Радзинский , Элизабет Хереш

Биографии и Мемуары / Публицистика / История / Проза / Историческая проза
Дальний остров
Дальний остров

Джонатан Франзен — популярный американский писатель, автор многочисленных книг и эссе. Его роман «Поправки» (2001) имел невероятный успех и завоевал национальную литературную премию «National Book Award» и награду «James Tait Black Memorial Prize». В 2002 году Франзен номинировался на Пулитцеровскую премию. Второй бестселлер Франзена «Свобода» (2011) критики почти единогласно провозгласили первым большим романом XXI века, достойным ответом литературы на вызов 11 сентября и возвращением надежды на то, что жанр романа не умер. Значительное место в творчестве писателя занимают также эссе и мемуары. В книге «Дальний остров» представлены очерки, опубликованные Франзеном в период 2002–2011 гг. Эти тексты — своего рода апология чтения, размышления автора о месте литературы среди ценностей современного общества, а также яркие воспоминания детства и юности.

Джонатан Франзен

Публицистика / Критика / Документальное