And the nightmare took the form of a poor bewildered boy, guilty only of having been thrust, without a spark of genius, into a situation which only genius could have saved. In that surface aspect of the case there is an almost ludicrous disproportion between cause and effect. But it is not what the young King was that matters—it is what he stood for. Let us look a little below the surface—even, if we can, into the soul of the people.
Portugal is a small nation with a great history; and the pride of a small nation which has anything to be proud of is apt to amount to a passion. It is all the more sensitive because it can not swell and harden into arrogance. It is all the more alert because the great nations, in their arrogance, are apt to ignore it.
What are the main sources of Portugal's pride? They are two: her national independence and her achievements in discovery and colonization.
A small country, with no very clear natural frontier, she has maintained her independence under the very shadow of a far larger and at one time an enormously preponderant Power. Portugal was Portugal long before Spain was Spain. It had its Alfred the Great in Alfonso Henriques (born 1111—a memorable date in two senses), who drove back the Moors as Alfred drove back the Danes. He founded a dynasty of able and energetic kings, which, however, degenerated, as dynasties will, until a vain weakling, Ferdinand the Handsome, did his best to wreck the fortunes of the country. On his death in 1383, Portugal was within an ace of falling into the clutches of Castile, but the Cortes conferred the kingship on a bastard of the royal house, John, Master of the Knights of Aviz; and he, aided by five hundred English archers, inflicted a crushing defeat on the Spaniards at Aljubarrota, the Portuguese Bannockburn. John of Aviz, known as the Great, married Philippa of Lancaster, daughter of John of Gaunt; and from this union sprang a line of princes and kings under whom Portugal became one of the leading nations of Europe. Prince Henry the Navigator, son of John the Great, devoted his life to the furthering of maritime adventure and discovery. Like England's First Lords of the Admiralty, he was a navigator who did not navigate; but it was unquestionably owing to the impulse he gave to Portuguese enterprise that Vasco da Gama discovered the sea route to India and Pedro Alvarez Cabral secured for his country the giant colony of Brazil. Angola, Mozambique, Diu, Goa, Macao—these names mean as much for Portugal as Havana, Cartagena, Mexico, and Lima, for Spain. The sixteenth century was the "heroic" age of Portuguese history, and the "heroes"—notably the Viceroys of Portuguese India—were, in fact, a race of fine soldiers and administrators. No nation, moreover, possesses more conspicuous and splendid memorials of its golden age. It was literally "golden," for Emmanuel the Fortunate, who reaped the harvest sown by Henry the Navigator, was the wealthiest monarch in Europe, and gave his name to the "Emmanueline" style of architecture, a florid Gothic which achieves miracles of ostentation and sometimes of beauty. As the glorious pile of Batalha commemorates the victory of Aljubarrota, so the splendid church and monastery of Belem mark the spot where Vasco da Gama spent the night before he sailed on his epoch-making voyage. But it was not gold that raised the noblest memorial to Portugal's greatness: it was the genius of Luis de Camoens. If Spenser, instead of losing himself in mazes of allegoric romance, had sung of Crécy and Agincourt, of Drake, Frobisher, and Raleigh, he might have given us a national epic in the same sense in which the term applies to