These sepulchres were richer in gold than any found elsewhere in the world, a fact which led to an absurd attempt to establish their kinship with the later and only less golden burials of Scythians or Celts. The metal was worked up into heavy death-masks and lighter breastplates, diadems, baldrics, pendants, and armlets, often made of mere foil, and also into goblets, hairpins, engraved with combats of men and beasts, miniature balances, and an immense number of thin circular plaques and buttons with bone, clay, or wooden cores. Special mention is due to the inlays of gold and niello
on bronze dagger-blades, showing spiral ornament or scenes of the chase, Egyptian in motive, but non-Egyptian in style; and to little flat models of shrine-façades analogous to those devoted to Semitic pillar-worship. The ornament on these objects displayed a highly developed spiraliform system, and advanced adaptation of organic forms, especially octopods and butterflies, to decorative uses. The shrines, certain silhouette figurines, and one cup bear moulded doves, and plant forms appear inlaid in a silver vessel. The last-named metal was much rarer than gold, and used only in a few conspicuous objects, notably a great hollow ox-head with gilded horns and frontal rosette, a roughly modelled stag, and a cup, of which only small part remains, chased with a scene of nude warriors attacking a fort. Bronze swords and daggers and many great cauldrons were found, with arrow-heads of obsidian, and also a few stone vases, beads of amber, intaglio gems, sceptre heads of crystal, certain fittings and other fragments made of porcelain and paste, and remains of carved wood. Along with this went much pottery, mostly broken by the collapse of the roofs. It begins with a dull painted ware, which we now know as late “proto-Mycenæan”; and it develops into a highly glazed fabric, decorated with spiraliform and marine schemes in lustrous paint, and showing the typical forms, false-mouthed amphoræ and long-footed vases, now known as essentially Mycenæan. The loose objects found outside the circle include the best intaglio ring from this site, admirably engraved with a cult scene, in which women clad in flounced skirts are chiefly concerned, and the worship seems to be of a sacred tree.