Читаем The Historians' History of the World 06 полностью

Nothing in the course of Trajan’s reign was of such great and far-reaching consequence as his unfortunate and erroneous idea of defending the empire by fresh conquests, and purifying morals by the revival of military ambition. From early youth he had been trained as a soldier and general; in his campaigns he had become acquainted with many lands and nations; he was equal to all the hardships of military service, and as emperor liked to share them with his soldiers; seldom mounting his horse on the march, but going on foot like his men.

Three years after his accession he began his wars of conquest, the scene of the first being Dacia on the lower Danube. As emperor he never thought of attempts on Lower Germany, although he had acted there as governor and general for ten years. The countries of the lower Danube, and after them the East, seemed to him better suited to prove to the world his capacity as a general. In Moldavia and Wallachia some immigrants of Thracian descent, amongst whom the Dacians were the most important, had leagued themselves together, some decades before, and with their combined forces had attacked Roman Thrace. At the time when Vitellius and Vespasian were disputing the throne, they had been repulsed by the troops of the latter, on their way into upper Italy, by Thrace and Mœsia, and Fonteius Agrippa, Vespasian’s general and vice-gerent, had established a number of fortified camps on the Danube as a bulwark against them.

Under Domitian the tribes belonging to the Dacian league, with Decebalus at their head, again invaded the Roman Empire. They destroyed some fortresses, repulsed the Roman troops on several occasions, and wrought fearful havoc. Domitian himself twice marched to the Danube, but his troops were defeated in most engagements. Suspicious as he was, he dared not entrust a capable man with the command of a considerable army, although immediately after the recall of Agricola from Britain he had a general who was in every respect qualified for such a struggle. The Dacians therefore not only remained unpunished, but continued their devastations, and Decebalus actually offered the Roman emperor terms of peace on condition that he should be paid a sum of money annually. Domitian agreed to these shameful terms, and the degenerate senate of Rome granted him the honours of a triumph as conqueror of the Dacians.

Trajan pretermitted the payment of tribute, and the Dacians again invaded Roman territory. He therefore betook himself to the Danube in person, in order to undertake the conduct of the war against them (101). He crossed the river, avenged the havoc wrought by the Dacians by far worse devastations in their own land, and defeated the troops of the enemy wherever they opposed him. In the third year of the war (103) the king of the barbarians was compelled to submit and accept the terms of peace dictated by Trajan.f

Xiphilinush has preserved for us, from the works of Dion Cassius, some interesting details of this campaign, with incidental sidelights on Trajan’s character. Trajan was led to undertake the campaign, he tells us, because he “bore in mind the conduct of the Dacians, was distressed at the tribute which they received every year, and perceived that their pride increased with their numbers. Decebalus was seized with terror at the news of his march; and indeed he knew well enough that it was not the Romans but Domitian whom he had previously conquered and that now he would have to fight against the Romans, and against the emperor, Trajan. For Trajan was distinguished in the highest degree by his justice, his courage, and the simplicity of his manners. He had a strong body, (he was forty-two years old when he succeeded to the empire; so that he supported all fatigues as well as anyone,) and he had a vigorous mind, so that he was exempt both from the impetuosity of youth and from the slowness of age. Far from envying or belittling anyone he honoured all worthy men and raised them to high positions; for he neither dreaded nor hated any one of them. He gave no credit to calumnies and was in no way the slave of anger. He abstained alike from laying his hands on the property of others and from unjust murders.

“He spent much on war, much also on the works of peace; but the most numerous and necessary items of expenditure had for their object the repair of roads, harbours, and public buildings, while for none of these works did he ever shed blood. There was naturally such vastness in his conceptions and in his thoughts that having caused the Circus to be raised from its ruins and rendered finer and more magnificent than before, he set up an inscription stating that he had rebuilt it so that it might contain the Roman people.

Перейти на страницу:

Похожие книги

MMIX - Год Быка
MMIX - Год Быка

Новое историко-психологическое и литературно-философское исследование символики главной книги Михаила Афанасьевича Булгакова позволило выявить, как минимум, пять сквозных слоев скрытого подтекста, не считая оригинальной историософской модели и девяти ключей-методов, зашифрованных Автором в Романе «Мастер и Маргарита».Выявленная взаимосвязь образов, сюжета, символики и идей Романа с книгами Нового Завета и историей рождения христианства настолько глубоки и масштабны, что речь фактически идёт о новом открытии Романа не только для литературоведения, но и для современной философии.Впервые исследование было опубликовано как электронная рукопись в блоге, «живом журнале»: http://oohoo.livejournal.com/, что определило особенности стиля книги.(с) Р.Романов, 2008-2009

Роман Романов , Роман Романович Романов

История / Литературоведение / Политика / Философия / Прочая научная литература / Психология
100 величайших соборов Европы
100 величайших соборов Европы

Очерки о 100 соборах Европы, разделенные по регионам: Франция, Германия, Австрия и Швейцария, Великобритания, Италия и Мальта, Россия и Восточная Европа, Скандинавские страны и Нидерланды, Испания и Португалия. Известный британский автор Саймон Дженкинс рассказывает о значении того или иного собора, об истории строительства и перестроек, о важных деталях интерьера и фасада, об элементах декора, дает представление об историческом контексте и биографии архитекторов. В предисловии приводится краткая, но исчерпывающая характеристика романской, готической архитектуры и построек Нового времени. Книга превосходно иллюстрирована, в нее включена карта Европы с соборами, о которых идет речь.«Соборы Европы — это величайшие произведения искусства. Они свидетельствуют о христианской вере, но также и о достижениях архитектуры, строительства и ремесел. Прошло уже восемь веков с того времени, как возвели большинство из них, но нигде в Европе — от Кельна до Палермо, от Москвы до Барселоны — они не потеряли значения. Ничто не может сравниться с их великолепием. В Европе сотни соборов, и я выбрал те, которые считаю самыми красивыми. Большинство соборов величественны. Никакие другие места христианского поклонения не могут сравниться с ними размерами. И если они впечатляют сегодня, то трудно даже вообразить, как эти возносящиеся к небу сооружения должны были воздействовать на людей Средневековья… Это чудеса света, созданные из кирпича, камня, дерева и стекла, окутанные ореолом таинств». (Саймон Дженкинс)

Саймон Дженкинс

История / Прочее / Культура и искусство