Raimundo Silva is not in a hurry. He studies the itinerary seriously, for his own satisfaction he makes detailed mental notes, complementary as it were, which attest to his own contemporaneity, there in the Calçada do Correio Velho a gloomy undertaker's office, white spume in the blue sky coming from a jet plane, like the extended backwash of a speed-boat on the blue sea, the Pensâo Casa Oliveira Bons Quartos in the Rua da Padaria, the Restaurante Come Petisca Paga Vai Dar Meia Volta, right beside the Portas do Mar, the Cervejaria Arco da Conceiçao, nearby, the coat of arms of the Mascarenhas engraved on a cornerstone of one of the buildings of the Arco de Jesus, where there must have been a gate in the Moorish ramparts, as attested by the inscription on the wall, the Neoclassical entrance to the Palace of the Condes de Coculim, who were Mascarenhas, arsenals of weaponry, so much for all their achievements, a world of fleeting, transitory things, as all things without exception inevitably prove to be, for the white trail of the plane has evaporated and time will take care of the rest in due course, we need only have the patience to wait. The proof-reader entered the Alfama by the Arco do Chafariz d'El-Rei, he will lunch somewhere nearby, in an eating-house in the Rua de'Sâo João da Praça, over by the tower of St Peter, a traditional Portuguese meal of fried fish and rice with tomato sauce and salad, and with any luck, the tender leaves of a lettuce heart, where, something not many people know, nestles the incomparable freshness of the morning, the dew and mist, which are one and the same, but warrant repetition for the simple pleasure of writing both words and savouring the sound. At the entrance to the restaurant stood a gypsy girl, probably about twelve, with outstretched hand and saying never a word, simply staring at the proof-reader, who, lost in thought, did not recognise a gypsy but only a Moorish girl, when hunger was first making itself felt and when there was still someone to ask for alms, and cats and vermin felt their existence was assured until they died a natural death from disease or warfare amongst the species, after all, progress is a reality, nowadays no one in Lisbon hunts such animals for food, But the expression in the gypsy girl's eyes warns him that the siege is not yet over.
Raimundo Silva will peruse more slowly whatever remains to be inspected, another section of the wall in the Patio do Senhor da Murça, the Rua da Adiça, where the wall rose up, and that of Norberto de Araújo, as the street was recently baptised, at the summit an imposing stretch of wall, eroded at the base, these are truly living stones, they have been here for nine or ten centuries, if not longer, from the time of the barbarians, and they survive, they intrepidly support the bell-tower of the church of St Lucy or St Bras, it makes no difference, at this spot, ladies and gentlemen, opened the ancient Portas do Sol, facing eastward, the first to receive the rosy breath of dawn, now all that remains is the square which took its name from this landmark, but the special effects of the aurora have not changed, for the sun, a millennium is like a tiny human sigh, sic transit, needless to say. The wall continued along these parts, at an obtuse angle, wide open, and continued right up to the walls of the fortress, thus enclosing the entire city, from the edge of the waters below to the point where it joins the fortress, head erect and strong joints, arms bent and fingers firmly clasped, like a woman supporting her pregnant womb. Feeling weary, the proof-reader goes up the Rua dos Cegos, enters the Patio de Dom Fradique, time divides into two strands rather than disturb this village made of rock, it has been like this, in a manner of speaking, since the time of the Goths, Romans, or Phoenicians, then came the Moors, the first Portuguese, their children and their grandchildren, from whom we are descended, the power and the glory, the subsequent phases of decline, first, second and third, each of them divided into genera and subgenera. At night, in this space between the low-lying houses, the three ghosts gather, the ghost of the past, the ghost of the future and the ghost of things that might happen, they do not speak, they look at each other as if they were blind, and remain silent.